Jean Gruault

Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other tenderly since childhood. But as they grow up, their affection veers toward voracious passion.

The true story of Victor of Aveyron. In a French forest circa 1798, an abandoned child — feral, filthy and mentally impaired — is found. Dr Jean Marc Gaspard Itard becomes interested in the case and patiently attempts to civilise the boy.

Vanina Vanini, a bored, spoiled Roman countess, falls in love with a dedicated young patriot who is in Rome to assassinate a traitor to the brotherhood of the Carboneria.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

This portrait of the world-famous French director based on his personal correspondance reveals the little known insurgent side of his personnality. Featuring interviews with close collaborators, friends and family, this definitive documentary tells his intimate story, from the streets of Paris to the filmmaking accolades and high profile marriages at the height of his career.

A fascinating glimpse into Truffaut’s creative process and how his life informed his art, told from the perspectives of those who knew him best.

A young woman wins a typing contest and sets off to work in Paris.

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The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

In the 19th century a mysterious woman named Adele H. crosses the ocean, from Europe to North America, to relentlessly pursue a handsome officer that denies her satisfaction.

In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.

The true story of Victor of Aveyron. In a French forest circa 1798, an abandoned child — feral, filthy and mentally impaired — is found. Dr Jean Marc Gaspard Itard becomes interested in the case and patiently attempts to civilise the boy.

Following a stint as a WWII fighter pilot, Belgian-born Edouard falls in love with an Indonesian woman, has a daughter with her and immigrates to Australia, all without the knowledge of his family back home. Years later, his love has passed away, and he's raising his daughter on his own. When his brother calls seeking help with his failing wool-processing company, Edouard agrees to temporarily return home to aid him.

A widower maintains a memorial room filled with his late wife's belongings. When fire destroys it, he transforms a chapel into a new shrine to preserve her memory.

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

Professor Henri Laborit uses three people's stories to discuss behaviourist theories of survival, combat, rewards and punishment, and anxiety: René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing; Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite; and Jean is a controversial career-climbing writer/politician at a crossroads in life.

Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but returns to life. Despite declining further medical tests, the couple are forced to grapple with the possibility of his death. Eventually, they tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...

In the early 20th-century, Frenchman Claude meets Englishwoman Ann in Paris. Ann invites him to her family home, intending him for her sister Muriel. Claude falls for Muriel, but families demand year-long separation before approving marriage.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

Cardinal Mazarin dies, leaving a power vacuum in which the young Louis asserts his intention to govern as well as rule. Mazarin's fiscal advisor, Colbert, warns against Fouquet, the Superintendant who has been systematically looting the treasury and wants to be prime minister. Fouquet believes Louis will soon tire of exercizing power and overplays his hand by offering a bribe to Louis' mistress to be his ally. She reports this to the king who arrests Fouquet. Louis and Colbert design a brilliant strategy to keep merchants making money, nobles in debt, the urban poor working and fed, and peasants untaxed.

All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.

That evening, Victor, aged thirteen, does not want to go home. Also, ayoung woman, Sandrine, pushes away the the moment when she will find her lonely flat. Night is falling, in Orléans, shortly before Christmas.

At the end of the 19th Century, young Fanning finishes his studies in theology at the University of Cambridge. During a walk through the countryside, the boy, inspired by the lecture of romantic novels, discovers an abandonned house, from which an old man is coming out. He returns to the house regularly without ever seeing its mysterious inhabitant. Fanning finally surprises the old man while he is sitting on a bench at the cemetery and manages to gain his confidence...

In 1856, fresh from life with nuns in an orphanage school, Alexina Barbin comes to a coastal village in La Rochelle to teach the village girls. She is deeply religious. She shares the classroom and a bedroom with the young and vivacious Sara, with whom she falls in love. Alexina has another secret: her gender is mysterious. She and Sara begin a scandalous love affair, but Alexina seeks marriage and social acceptance. She discloses her secrets to the village priest, to her mother, to the bishop, and to the bishop's physician. After the church and court rule on her petition, marriage to Sara becomes Alexina's sole purpose and hope.

Francesca, a magistrate, seems happily married to a successful and wealthy engineer. They prepare to spend a holiday together when Francesca is instructed to shed light on the mysterious death of a girl, Rosa Franceschi, who threw herself from the terrace of her house. Francesca interrogates friends and neighbours of the victim, especially Veronica Marini who, living opposite the victim's apartment, followed the whole story. This is how she discovers her husband's affair with Rosa Franceschi and her involvement in the girl's suicide or murder.

The people of the Mafrouza shantytown in Alexandria daily reconstruct themselves and the world around them, but they also question the camera, who answers them and thus becomes a character in the film.

The final film in Emmanuelle Demoris' Mafrouza cycle. Mohamed Khattab runs a grocery in the area. A sheik, he also preaches the Friday sermon in the local mosque, but in the holiday period leading up to Eid, the «beards » arrive to take over the mosque. The people of Mafrouza discuss this takeover calmly and clear-sightedly. As one of Mohamed Khattab’s close friends comments, "the Brothers seek to attract people; if you love someone, you don’t try to attract them, you talk to them directly." Hurt, Mohamed Khattab keeps his intentions quiet, but he has not given up. What happens next gives him a chance to vent his anger and opposition, as well as express his bond with the film crew, now due to leave, the filming completed, after two years spent in the area.