Michel Boujut

This profile of director Alexandre Trannoy is profoundly moving. But you would be forgiven for asking 'Alexandre who?' because Trannoy never completed a single film in his 30-year career, despite working on multiple projects and with illustrious names like Jean Rochefort, Anouk Aimée, Lino Ventura and Marlene Dietrich. A fascinating study of a noble dreamer.

Le Nouvel Hiver is a slightly disillusioned reflection on the state of the world (the fall of the Berlin Wall, the end of the USSR, the Gulf War), the events of which are the thread of this year's Notebooks (1 January 1991 to 31 December 1991). Of course, these Notebooks are far from this sinister current events because life is elsewhere, in creation and in a quest for the absolute. And then, Le Nouvel Hiver takes us into surprising encounters (with Ken Loach, Brigitte Lahaie) and transports us to places I can't live without (the Ardèche in the North).

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A filmmaker’s self-portrait, asking hard questions of herself and of us. Invoking Aurore Clément as a kind of stand-in or proxy, a glamorous counterpart to Akerman who sports a drawn-on moustache. What is cinema for? Who is it for? If the Mosaic prohibition on making graven images includes film images, then where does that leave a Jewish filmmaker?