Bernhard Braunstein

The Schigymnasium Stams is one of the most successful ski schools in the world. This is where young athletes grow up, who live out their passions without compromise. STAMS is a film that wants to understand the enthusiasm for competitive sports and the dream of success.

Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.

No synopsis available yet.

A Viennese Jew who left Austria in 1938 under the Kindertransport scheme, Norbert Abeles became a British colonial civil servant in Africa in the 1950s. Now in his nineties, he lives in Malawi, where he remarried, after working many years for organisations such as Unesco, but also African despots. The filmmakers film the present day, without recourse to archive material, and create a tension between the testimony of this previously abused child, who had to toughen up to survive, and images of his current life.

The Schigymnasium Stams is one of the most successful ski schools in the world. This is where young athletes grow up, who live out their passions without compromise. STAMS is a film that wants to understand the enthusiasm for competitive sports and the dream of success.

The Schigymnasium Stams is one of the most successful ski schools in the world. This is where young athletes grow up, who live out their passions without compromise. STAMS is a film that wants to understand the enthusiasm for competitive sports and the dream of success.

Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.

Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.

Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.

No synopsis available yet.

A Viennese Jew who left Austria in 1938 under the Kindertransport scheme, Norbert Abeles became a British colonial civil servant in Africa in the 1950s. Now in his nineties, he lives in Malawi, where he remarried, after working many years for organisations such as Unesco, but also African despots. The filmmakers film the present day, without recourse to archive material, and create a tension between the testimony of this previously abused child, who had to toughen up to survive, and images of his current life.