Mariana Bassoul

In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

A biography of spiritual medium and author Francisco Candido Xavier.

Vlad is one of the employees in the Human Resources department at his company. As the end of the year approaches, he becomes responsible for organizing the "firm party", an end-of-year party to boost the morale of the staff, deeply shaken by a series of layoffs. Determined to prove himself to his ex-girlfriend, he accepts the challenge. Everything starts well, but things end up getting out of Vlad's control, who will have to do everything possible and impossible to solve all the problems and make the party work.

Eduarda is a successful orthopedist, married to event producer Marcos for 10 years. Due to the strain on their relationship, they decide to go to couples therapy, but during the sessions they decide to break up. That's when Eduarda meets Leo.

Paula, a famous plastic surgeon, applies an experimental formula to herself that promises to completely eliminate cellulite. However, she ends up dying shortly after the test. Now, with the help of a medium, the doctor returns to Earth to try to stop her greedy ex-partner from putting the harmful product on the market.

In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.