Fernando Martín Peña

After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.

The political history of Argentine film censorship narrated through the professional career of Néstor Gaffet (1928-1982), lawyer, film distributor and producer, publicist, occasional screenwriter, critic and teacher.

The most transcendent and controversial event since the invention of the seventh art: the disappearance of photographic film. What for many people seems to be simply the result of technological evolution, brings with it paradoxes and contradictions that endanger photographic film heritage and accelerate its deterioration.

A tour through the history of porn –among prejudice, taboos and myths–, from the moment it constituted itself as a genre until it became an industry. And, while we’re at it, a look on the chances of progressing in Argentina.

This documentary pays homage to 76 89 03, the controversial 2000 film directed by Cristian Bernard and Flavio Nardini. 76 89 23 seeks to deconstruct the past and present from a socio-political, cultural and economic approach, exploring key moments in Argentine history.

When she made her first film in 1960, Vlasta Lah was the only woman to direct a sound feature film in Argentina. Her path was arduous and long: from her childhood in a country torn apart by war to her training at the Centro Sperimentale di Cinematografia in Rome, to her arrival in Argentina fleeing another war, where she became the most important assistant director at Estudios San Miguel. Through her personal correspondence and a meticulous investigation, her name will be rescued from oblivion.

Documentary that follows a group of filmmakers who investigate the existence of a Peronist superhero that Perón allegedly proposed to publish. They interview historians, graphic artists, and sociologists to reconstruct this figure, whose evidence was destroyed after the 1955 coup d'état and the persecution of Peronism.

After almost 20 years, Fernando Martín Peña returns to the Faculty of Arts of the National University of La Plata to teach the subject History of Cinema II. Little by little, the reflections, questions and contradictions of the students who wonder about the study of the history of cinema begin.

A documentary of absurdist humor that delves into the immaturity of Witold Gombrowicz, the controversial Polish writer who lived in Argentina and wrote the first existentialist novel.

Documentary about Argentine film collector Alfredo Li Gotti.

A documentary about the making of the final version of "Metropolis" by restoring all material from different sources.

Biographical documentary that traces the life of José Martínez Suárez, unconditional lover of cinema, president of the most important Film Festival of the continent. A lucid protagonist of his life and times.

Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.

A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.

Documentary on Argentine actress and sex symbol Isabel Sarli, including clips from her films and interviews with her and other actors.

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

An extensive interview with Fernando Solanas and an important amount of unpublished material, the documentary describes the process of making the most influential film of Latin American cinema. It was done exclusively to accompany its home release.

Documentary about the filming of "Gardel's Exile"

Documentary about the filming of "Gardel's Exile"