Olga Markovic

When Emily moves out of home, she unwittingly reactivates a generational curse that has laid dormant for 25 years. Dismissed as crazy by all those around her, she must reconnect with her ancestry to defeat the vengeful “giniirr” before it takes her life,as payment for her ancestors’ sins. Bringing a new First Nations spin to the horror genre, IT WILL FIND YOU brings a fresh take to a tried-and-true supernatural horror.

After giving into temptation, a young woman attempts to conceal her sins from her family.

School captain Ellie is seriously crushing on her rebellious classmate Abbie. Determined to ask her first love to the year 12 formal, Ellie devises a plan to go public with the invitation but before she can go through with it, her dead aunt Tara reappears from beyond the grave. Believing she's been brought back from the dead to be Ellie's fairy godmother, Tara dishes out unwanted dating advice based on her life as an out lesbian in the '80s.

After being blamed for the death of his best friend in a racist street fight, Tez, a 25-year-old drug dealer with a cultural identity complex loses custody of his son. Battling a drug addiction and coming to terms with losing his friend, he’ll need to clean himself up fast before his son is taken away forever.

Set in a social housing estate in central Sydney, 57 Lawson preserves the disparate voices of the tenants at a time when these communities are becoming increasingly marginalised by the city around them. A patient observation of the daily lives of the area’s inhabitants over the course of one evening, 57 Lawson is a hybrid drama-documentary film about a specific place at a specific time.

A heartwarming urban adventure following straight-laced Leah as she meets an unpredictable stranger and falls back in love … with life.

The advocate for a young Iranian refugee held in detention. Amir Ali claims to be an Iranian student persecuted by the government but the Department of Immigration dispute his identity. When Julia meets Amir, he is severely depressed and close to deportation. Julia throws herself obsessively into Amir's case, causing friction between Julia and her husband, Peter. Julia eventually frees Amir and the young Iranian man moves in with Peter and Julia. As Julia helps Amir adjust to ordinary life, she finds herself increasingly attracted to this handsome, damaged young man. But she also starts to see the subtle cracks in Amir's story. Is he really who he claims he is? Or does he have a darker, more dangerous history?