Clemens Hildebrandt

Jytte Rex charts the white or wilfully deleted spots on the map of primarily women's happiness and grief. This is done by the experimental filmmaker's positioning of a dream narrator as a guide through the manyleveled visions, stories and pictures that unite work, love, and revolt in any individual's life. The title refers to the cloth or veil on which crucified Christ's tormented face left an imprint for posterity.

Clemens has escaped from prison. The first thing he does is seek out his wife Maria. He dreams of the two of them traveling away, but Maria does not want to. In the end, he leaves using his friend's passport.