Roxanne Shanté

1986 was a special year in the development of hip-hop. The Dutch TV documentary BIG FUN IN THE BIG TOWN captured this on film. And 15-year-old Pascal Garnier was immediately fascinated by New York’s young rap celebrities. Almost 40 years later, with the assistance of Bill Adler - the former publicist of the legendary Def Jam label - he tracked down the artists of that time. Roxanne Shanté, DMC and Def Jam’s creative director Cey Adams reminisce and also talk about their current lives. In his grandmother’s house, hip-hop icon LL Cool J talks about the meaning of “I Need Love”. Pure emotion - for viewers and everyone involved.

Unveils the transformative fifty-year history of a world-changing culture, illustrating hip-hop's journey from outsider status to the pinnacle of power. This documentary showcases the pivotal contributions of artists who created some of the most powerful political songs of all time and explores the experiences of rappers who interacted with presidents and performed inside the world's most famous residence. Starting from the blighted neighborhoods that created the culture as a result of oppressive presidential policies, this film describes the complex web of influence, culture and celebrity that is now a permanent feature of American politics.

A once-in-a-lifetime live concert special celebrating the 50th anniversary of hip-hop, the two-hour tribute special features exclusive performances from hip-hop legends and GRAMMY-winning artists, including Black Thought, Bun B, Common, De La Soul, Jermaine Dupri, J.J. Fad, Talib Kweli, The Lady of Rage, LL COOL J, MC Sha-Rock, Monie Love, The Pharcyde, Queen Latifah, Questlove, Rakim, Remy Ma, Uncle Luke, and Yo-Yo.

The untold story of the world’s longest running video show, Video Music Box. A hip hop mainstay since 1983, VMB gave a platform to artists like Jay-Z, Nas and Mary J. Blige before they hit it big. Host Ralph McDaniels’ archives — amassed over nearly 40 years — reveal the show’s importance to numerous big-name musicians, as well as to the kids that grew up watching.

An intimate look at the evolution and impact of women emcees and rappers, told by the trailblazing artists who helped create a musical and cultural empire.

The story focuses on Newark's Baraka family and its involvement in social activism, poetry, music, art and politics.

Ava DuVernay focuses on the history of female MCs in the hip hop industry in this short documentary that features Missy Elliott, Salt-N-Pepa, Eve, Jean Grae, Roxanne Shante, Trina, The Lady of Rage, and many more.

SLAMMIN!... Rap's #1 video magazine. Here are the acts you're going to be meetin' in the premiere episode of this 1990 Video VHS Magazine produced by Night Flight creator Stuart S. Shapiro. Waking up in the morning with Big Daddy Kane...KANE style, a spin in Ice T.'s Ferrari and a tour of his home with the Rhyme Syndicate posse, MC Hammer contributes his def videos, Queen Latifah and her dancers 007 and 99 allow Slammin' into their "Queendom" to drop science on women in the rap industry. Chuck D, KRS-One, Chris Rock and Steve White take a comic's look at rap movies. Host Alex Winter races around town, trying to hook up with Slammin's rap acts in this premiere issue.

New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and — if the stars aligned — the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.