Makoto Nagahisa

Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.

When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time — until betrayal and despair twist her haven into a prison, and she's left with one way to take back control.

One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.

Pisko's father is a crab while her mother is human. Pisko falls in love with her teacher but is heartbroken when he leaves her because she is half-crab. Pisko finally finds love and companionship with her friend Kubokayo.

Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.

Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.

When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time — until betrayal and despair twist her haven into a prison, and she's left with one way to take back control.

When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time — until betrayal and despair twist her haven into a prison, and she's left with one way to take back control.

One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

One summer day, 400 goldfish were found in the swimming pool of a secondary school. This is a story about the four 15-year-old girls who put them there.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.

Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.

Pisko's father is a crab while her mother is human. Pisko falls in love with her teacher but is heartbroken when he leaves her because she is half-crab. Pisko finally finds love and companionship with her friend Kubokayo.

Pisko's father is a crab while her mother is human. Pisko falls in love with her teacher but is heartbroken when he leaves her because she is half-crab. Pisko finally finds love and companionship with her friend Kubokayo.

The movie director Makoto Nagahisa reinterprets Yukio Mishima's "Patriotism" by following a young couple during the coronavirus pandemic. This is the story of COVID-19, the live house, and the couple's self-determination.

The movie director Makoto Nagahisa reinterprets Yukio Mishima's "Patriotism" by following a young couple during the coronavirus pandemic. This is the story of COVID-19, the live house, and the couple's self-determination.

No synopsis available yet.

No synopsis available yet.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.