Dirk Van den Eynden

A bitter, miserable man runs a chaotic secondhand store, mistreating both his assistant and his customers. One day, a young brother and sister enter his shop, hoping to sell a cherished golden watch. Their arrival disrupts the owner's stingy routines, plunging the children into a surreal, unpredictable world managed by eccentric adults. Frans Buyens’ mid-length feature is a whimsical, satirical fable exploring the clash between childhood innocence and adult greed.

The deeply socially engaged documentary filmmaker Frans Buyens had long dreamed of making the transition to fiction filmmaking. The experimental Ieder van Ons was a first attempt in that direction. In essence, it was an inquiry film shot in a cinéma vérité style about appearance and reality in social commitment. With Ieder van Ons, Buyens wanted to jolt the viewer’s conscience and make them aware of the duty to face the truth and to act accordingly. To achieve this, he combined a fictional plot with documentary scenes. On the one hand, the film contains acted sequences about the awakening conscience of a ruthless political figure; on the other hand, Buyens himself appears before the camera to introduce several actors, their characters, and the situations in which they are about to become involved.

A bitter, miserable man runs a chaotic secondhand store, mistreating both his assistant and his customers. One day, a young brother and sister enter his shop, hoping to sell a cherished golden watch. Their arrival disrupts the owner's stingy routines, plunging the children into a surreal, unpredictable world managed by eccentric adults. Frans Buyens’ mid-length feature is a whimsical, satirical fable exploring the clash between childhood innocence and adult greed.

The deeply socially engaged documentary filmmaker Frans Buyens had long dreamed of making the transition to fiction filmmaking. The experimental Ieder van Ons was a first attempt in that direction. In essence, it was an inquiry film shot in a cinéma vérité style about appearance and reality in social commitment. With Ieder van Ons, Buyens wanted to jolt the viewer’s conscience and make them aware of the duty to face the truth and to act accordingly. To achieve this, he combined a fictional plot with documentary scenes. On the one hand, the film contains acted sequences about the awakening conscience of a ruthless political figure; on the other hand, Buyens himself appears before the camera to introduce several actors, their characters, and the situations in which they are about to become involved.