Kensaku Kojima

The Master's late-night diner welcomes a woman troubled by funeral fans, an elderly scam victim, and a noodle delivery man struggling with love.

A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.

Keiko Tsuruoka’s film is at once traditional and contemporary: it gently mixes present-day gender and sexuality politics with the old-fashioned Japanese domestic drama. Traditional lacquerwork kitchenware is the Aoki family’s legacy, handed down to patriarch Seishiro (Kaoru Kobayashi) by his now-ailing father (Masayuki Suzuki). Seishiro expects to pass it in turn to his son Yu (Ryota Bando), but Yu has no interest in the craft—quite unlike daughter Miyako (Mayu Hotta), who loves it dearly. The stage is set for conflict, as established cultural traditions collide with modern mores…

Keisuke Ninomiya (Yu Yokoyama) works as a construction consultant. Through his work, he becomes acquainted with yakuza Yasuhiko Kuwabara (Kuranosuke Sasaki). One day, film producer Koshimizu brings a movie investment proposal to yakuza leader Shimada. Shimada decide to invest in the film and he assigns Yasuhiko Kuwabara to oversee his investment in the film. Film producer Koshimizu though runs away with their investment money. Keisuke and Yasuhiko struggle to get Shimada’s money back from Koshimizu.

In an incredible interplanetary adventure, three young boxers learn how to enhance their individual powers by connecting to each other and to the legendary fighters that came before.

The Master's late-night diner welcomes a woman troubled by funeral fans, an elderly scam victim, and a noodle delivery man struggling with love.

A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.

Keiko Tsuruoka’s film is at once traditional and contemporary: it gently mixes present-day gender and sexuality politics with the old-fashioned Japanese domestic drama. Traditional lacquerwork kitchenware is the Aoki family’s legacy, handed down to patriarch Seishiro (Kaoru Kobayashi) by his now-ailing father (Masayuki Suzuki). Seishiro expects to pass it in turn to his son Yu (Ryota Bando), but Yu has no interest in the craft—quite unlike daughter Miyako (Mayu Hotta), who loves it dearly. The stage is set for conflict, as established cultural traditions collide with modern mores…

Keisuke Ninomiya (Yu Yokoyama) works as a construction consultant. Through his work, he becomes acquainted with yakuza Yasuhiko Kuwabara (Kuranosuke Sasaki). One day, film producer Koshimizu brings a movie investment proposal to yakuza leader Shimada. Shimada decide to invest in the film and he assigns Yasuhiko Kuwabara to oversee his investment in the film. Film producer Koshimizu though runs away with their investment money. Keisuke and Yasuhiko struggle to get Shimada’s money back from Koshimizu.

In an incredible interplanetary adventure, three young boxers learn how to enhance their individual powers by connecting to each other and to the legendary fighters that came before.