Kristi Lynes

This 1980s revival of the classic sci-fi series features a similar style to the original anthology series. Each episode tells a tale (sometimes two or three) rooted in horror or suspense, often with a surprising twist at the end. Episodes usually feature elements of drama and comedy.

Sometimes she's too big. Or much too small. Sometimes things are backwards. And there's always too much pepper in the soup! Nothing is quite right since Alice chased a very unusual White Rabbit and stumbled into an adventure that grows curiouser and curiouser. One of the greatest childhood fantasies is captured in Irwin Allen's colorful production adapted from Lewis Carroll's "Alice's Adventures in Wonderland." Originally aired over two nights in 1985 on CBS.

Paula Russell is the producer of a soap opera called All Is Forgiven who just married a donut executive with a teenage daughter.

Neglected by her husband during the pre-Christmas rush, Mrs. Claus takes the reindeer and sleigh out for a drive, only to end up stranded in the neighborhood of Manhattan's Lower East Side.

This 1980s revival of the classic sci-fi series features a similar style to the original anthology series. Each episode tells a tale (sometimes two or three) rooted in horror or suspense, often with a surprising twist at the end. Episodes usually feature elements of drama and comedy.

Sometimes she's too big. Or much too small. Sometimes things are backwards. And there's always too much pepper in the soup! Nothing is quite right since Alice chased a very unusual White Rabbit and stumbled into an adventure that grows curiouser and curiouser. One of the greatest childhood fantasies is captured in Irwin Allen's colorful production adapted from Lewis Carroll's "Alice's Adventures in Wonderland." Originally aired over two nights in 1985 on CBS.

Paula Russell is the producer of a soap opera called All Is Forgiven who just married a donut executive with a teenage daughter.