Ottilia Borbáth

Based on a true story, Mrs. Ratcliffe's Revolution is the tale of a family from Bingley in Yorkshire, who defect to East Germany. Here they find a nightmare of rationing, censorship and the most spied upon people in history rather than the Marxist utopia they were expecting. But if they thought getting in was difficult wait until they try to get out.

While cleaning offices at night, Zsolt Kovàcs learns a lot about his invisible employers by examining what they leave behind, carefully choosing his targets, often disillusioned women whom he seduces, methodically taking their money. An artist of manipulation, with a generous dose of humor and the ability to assume different personalities, Zsolt begins to work in a psychologist's practice, where he meets Hanna, a 30-year-old dancer who is physically incapacitated and the daughter of a millionaire. The ideal victim if love doesn't get in the way.

Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.

1985. Hungary has elections for the first time since long where more than one candidate is allowed to run. The engineer Bodnár is the most popular man in the rural town, who has defended the microclimate of the neighbourhood against a harmful project. Before the elections he is also put on the list. Local power launches a fight against him,

In this somewhat uneven political satire, good revolutionaries have overthrown a totalitarian state riddled with corruption on all levels when a truly naive bureaucrat (Boguslaw Linda) is placed on a jury that will judge the results of a history competition. Once on the jury, the young bureaucrat starts looking into the past himself and gets embroiled in a labyrinth. The past may well be unclear because recent leaders have certain facts that need to be kept buried. Filmmaker Janos Kovacsi borrows characteristics from revolutions in the Eastern European block (1950s-1980s) to create this post-revolutionary society with an idealist commander (Ferenc Zenthe) meant to lead them. A clue as to what happens next lies in the opening scene -- the funeral of the commander who has given his life for his cause. Ironically, Kovacsi undoubtedly faced censorship on this film. That would not only account for some uneven narration, but it adds a dimension of reality to the topic at hand.

A focus on the tormented lives of intellectuals who failed to protest recent troubles in their homeland. Jancsó emphasizes highly evocative and ambiguous imagery over dialog or exposition as he – through visually fascinating imagery – depicts the painful, stunted lives of Hungary's intellectuals who have remained silent and ineffectual during various political crises.

Investigation into the death of a modest cashier.

Péter and Pál, two notorious skirt hunters competing in wooing Oana, a pretty Romanian girl on the beach at Tihany. A couple of days later the girl gets a telegram saying that she has to leave for Bucharest immediately. The party - which has increased with Piri, the interpreter, and Ági, the hitch-hiker - gets to a Romanian village by Peter's ramshackle car, a 1921 Colymne. The car, however, breaks down.