John Madigan

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

"McCarthy" chronicles the rise and fall of Joseph McCarthy, the Wisconsin senator who came to power after a stunning victory in an election no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening America — emanating not from a rival superpower, but from within. Free of restraint or oversight, he conducted a crusade against those he accused of being enemies of the state, a chilling campaign marked by groundless accusations, bullying intimidation, grandiose showmanship and cruel victimization. With lawyer Roy Cohn at his side, he belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach. But his name lives on linked to the modern-day witch hunt we call “McCarthyism.”