Ricardo Martensen

In Brazil, bereaved families from different eras search for the remains of their loved ones and the truth about how they died. In old home movies, the dead come back to life. But even decades later, the authorities would rather keep the facts hidden.

The story of those affected by the 1990 Brazilian confiscation, the largest ever carried out by a democratic government against its citizens.

Three stories of the fight against the advance of agribusiness, the expansion of mining and illegal logging in the Baixo Tapajós.

Chico has dedicated his whole life to CINE SAO PAULO. The building, inherited from his father, is now badly deteriorated. Refurbish it, in order to make the old movie theater get back to work, becomes his great obsession.

In Brazil, bereaved families from different eras search for the remains of their loved ones and the truth about how they died. In old home movies, the dead come back to life. But even decades later, the authorities would rather keep the facts hidden.

In Brazil, bereaved families from different eras search for the remains of their loved ones and the truth about how they died. In old home movies, the dead come back to life. But even decades later, the authorities would rather keep the facts hidden.

The story of those affected by the 1990 Brazilian confiscation, the largest ever carried out by a democratic government against its citizens.

The story of those affected by the 1990 Brazilian confiscation, the largest ever carried out by a democratic government against its citizens.

Three stories of the fight against the advance of agribusiness, the expansion of mining and illegal logging in the Baixo Tapajós.

Three stories of the fight against the advance of agribusiness, the expansion of mining and illegal logging in the Baixo Tapajós.

Chico has dedicated his whole life to CINE SAO PAULO. The building, inherited from his father, is now badly deteriorated. Refurbish it, in order to make the old movie theater get back to work, becomes his great obsession.