Krystyna Sznerr-Mierzejewska

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect.

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The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.

Wiktor Wiarecki is an unsuccessful writer. He is also not successful in his personal life: Wiktor's marriage is in crisis, and his adult son wants nothing to do with his father. The turning point is the death of his friend Wiarecki, an outstanding writer Stefan Przewłocki. A literary widow gives Wiktor the materials for the deceased's last novel.

A girl finds herself transported to 1880's Warsaw.

Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.

A moral conflict between a young assistant and an associate professor arises during a university linguistics camp.

The beginning of the occupation. A closed mental world for the sick. Dr. Kauters values ​​only methods of resolution, Dr. Rygier is a believer in strong authority, Dr. Marglewski considers psychic property a form of haunting, Dr. Nosilewska left Austria after the Nazi occupation. The writer Sekułowski seeks shelter. The young, newly arrived doctor, Stefan, refuses to remain passive in the face of the situation and events...

On the way to Warsaw after a crude oil fraud in southern Poland, conman Adam Deren meets singer Liza. He decides to invest his money in a venture deemed to be a failure - a small cabaret where Liza could perform.

Januszek – the town's Casanova, returns from the army. Waiting for him at home is Blada, the mother of his future child, the daughter of the head of the local security service, who arranged for the candidate to be a son-in-law to shorten his military service. Januszek, who has had many women's hearts broken on his conscience, is not eager to get married.

Through the fate of the boy - whose hunger drives from his home village , and who receives a severe school of life , going through different social environments in order to become conscious , revolutionary activist - creators show a realistic panorama of conflicts in pre-WWII Poland.

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

After being transferred to a new position, the young doctor becomes the target of harassment by her colleagues.

An officer stationed in a remote Ukranian outpost at the end of the First World War is dying of consumption. Suffering from feverish dreams and hallucinations, he begins to collect religious art and attends seances.