Wan-Jo Wang

This documentary turns the spotlight on an overlooked component of filmmaking: the art of foley through the perspective of Taiwan’s most experienced master, Hu Ding-yi. Hu has worked tirelessly for decades in his studio, manually recreating diegetic sounds (sounds whose source are visible on screen) using his large collection of everyday objects. Through the artisan’s eyes, Wang Wan-jo’s timely documentary looks back at the golden age of Taiwanese cinema and examines the new dynamics of the Greater China film industry. Hu received the Lifetime Achievement prize at the 2017 Golden Horse Awards.

River Without Banks (2014) takes poetry and war as its main theme. As homage to Death of a Stone Cell, the film is structured into ten segments; each led by the first lines of the first ten stanza of the poem. Correspondences between the poet and his friends are incorporated throughout, taking the audience back and forth between Lofu's youth and middle age, only to eventually depict a full picture of the protagonist. The camera follows Lofu on his trips back to the bomb shelter and tunnel in Kinmen and his hometown Hengyang in Hunan Province of China, while also capturing his daily life in his adopted country of Canada. Acclaimed as the "Wizard of Poetry", Lofu shares through the film of the most insightful reflections.

No synopsis available yet.

This documentary turns the spotlight on an overlooked component of filmmaking: the art of foley through the perspective of Taiwan’s most experienced master, Hu Ding-yi. Hu has worked tirelessly for decades in his studio, manually recreating diegetic sounds (sounds whose source are visible on screen) using his large collection of everyday objects. Through the artisan’s eyes, Wang Wan-jo’s timely documentary looks back at the golden age of Taiwanese cinema and examines the new dynamics of the Greater China film industry. Hu received the Lifetime Achievement prize at the 2017 Golden Horse Awards.

River Without Banks (2014) takes poetry and war as its main theme. As homage to Death of a Stone Cell, the film is structured into ten segments; each led by the first lines of the first ten stanza of the poem. Correspondences between the poet and his friends are incorporated throughout, taking the audience back and forth between Lofu's youth and middle age, only to eventually depict a full picture of the protagonist. The camera follows Lofu on his trips back to the bomb shelter and tunnel in Kinmen and his hometown Hengyang in Hunan Province of China, while also capturing his daily life in his adopted country of Canada. Acclaimed as the "Wizard of Poetry", Lofu shares through the film of the most insightful reflections.

No synopsis available yet.

No synopsis available yet.