Vicente Wallenstein

Paddington travels to Peru to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.

A study about memory, an example of obsession or a prison in itself. Rodrigo chooses to submerge himself in a memory, regardless of what got him there or what might happen. Within this dream Rodrigo is happy. When confronted by the memory itself we are left with a question, is this a cry of victory, or the acclamation of defeat?

No synopsis available yet.

One summer night, a teenage girl sneaks out of her house to meet a boy at a party. However, when she finds him, he is strange and distant. That same night and at that same party, a boy is intercepted by an unknown girl, who claims to know him.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.

It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.

Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.

A child prodigy, a talented pianist, who fears the gift he was born with. A father persecuted and tormented by the infernal memory of the colonial war and a luminous mother afflicted by an incurable disease. A grandfather and grandmother in exile on a small village and an anti-Salazarist, an unrepentant traveller who settles in Buenos Aires. A music teacher who teaches his students that being a musician is not a fate of guaranteed happiness and that there is a lot of pain in the human heart. The story of a Portuguese family that lived through dictatorship, colonial war and democratic revolution - the improbable and surprising threads with which individual destinies weave the collective destiny.

In 1974, Chico, a beloved host of a children’s TV show at the service of a repressive authoritarian regime, is forced to make the hardest decision of his life: murder a colleague live on air, or lose the approval of his powerful father. As the cameras roll, the program unravels into a surreal theatre of obedience, repression, and madness.

No synopsis available yet.

A football player and part-time fisherman starts to clean the beach he lives next to.

In a terrifying Portuguese village, there is a legend - the legend of the wolf child. Desired and born on a full moon night, it all started when a young peasant girl, desperate for a child, asked a creature of the forest for a wish. The desire? A child she could call hers. But the forest creature curses the woman. When fully grown, the child will bring teeth and blood to the village. Years pass, the child becomes a man, tormented and persecuted by the villagers, torn between his animalistic nature and a friendship with a young witch. The boy has to discover who, or what, he is. Together, the wolf child and the witch will try to break the curse and find their place in the world. 16 years after "Coisa Ruim", Frederico Serra returns to the legends and traditions of deep Portugal.

Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.

A historical documentary and filmic poem that interprets the story of José Francisco Pereira, an enslaved man who was tried by the Lisbon Inquisition for sorcery and sodomy. An adaptation of Pereira’s trial is interwoven with passages from Saint Peter Damian’s passionate 11th-century condemnation of sodomy as an unrepeatable sin in Letter 31 (also known as The Book of Gomorrah), and Walter Benjamin’s iconic elucidations on historicism and progress in Theses on the Philosophy of History. The film revisits the morally and legally charged figure of the sodomite as a violent historical construction and expression of ecclesiastical, institutional, and colonial patriarchy.

At an abandoned chapel a teenager gives herself to a boy, unsuspecting of what's lurking in the shadows.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.

Fiction feature film about the Douro, its people, stories and suffering. The relations between the lords of the land and those who work it.