Mehmet Özekit

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The last 24 hours of a death row prisoner.

No synopsis available yet.

About the robbery attempt of a journalist known for his clumsiness. Yaman, despite being clumsy, is a courageous journalist. No one takes her seriously except Gül in the newspaper she works for. Everybody makes fun of him. Gül is in love with him.

People mistake a naive extra for his lookalike gangster and cause funny events.

Osman, who lives a poor life with his wife, children, and mother-in-law, earns his living as a porter. His debts to the local shopkeepers and his landlord have piled up like a mountain. To make matters worse, he is constantly belittled by his wife Leman and mother-in-law! One day, the neighborhood ticket seller Şakir forces him to buy a lottery ticket. Osman hides the ticket somewhere but forgets where he put it. When Osman learns that the jackpot has been won by one of the tickets sold by Şakir, he mistakenly believes it is his and is overcome with joy.

Niyazi is a humble factory worker whose life is turned upside down when he wins the “altılı ganyan” (six-horse accumulator) lottery. Suddenly, everyone from neighbours to total strangers, claiming to be his long-lost relatives, crowds around him hoping for a share of his fortune. Thanks to his quick wit, Niyazi manages to outsmart these opportunists and keep his winnings.

Identical twin brothers live separate lives for years without seeing each other. They have grown up in very different circumstances. One is a gangster who spreads terror around him, while the other is a modest bank clerk.

During the final years of the Ottoman Empire, occupying forces raided villages and oppressed the people. Nationalist fighters Süleyman Ağa and his friends organized themselves and planned to launch a resistance against the enemy. They wanted Mehmet, Süleyman Ağa's son in Istanbul, to lead the organization. For this reason, Mehmet returned to his homeland years later. However, Mehmet would not act according to the plans made by the nationalist fighters.

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The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

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Ömer Kavur's first film Yatik Emine (Emine, The Leaning One), relates the story, set in the years of World War I, of a prostitute exiled in a small town.

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