Fabian Euresti

Celebrated for his minimal, monumental landscape studies, James Benning turns to the intimacy of the portrait in his latest film, TWENTY CIGARETTES. Referencing Warhol’s screen tests, 1930s Hollywood glamour, and the disappearing cigarette break, the film captures 20 of Benning’s friends (including filmmaker Sharon Lockhart, cultural theorist Dick Hebdige, and book editor Janet Jenkins) satiating their smoke cravings. Each shot’s length is determined by the time it takes each subject to smoke a cigarette, and over the course of the film a dynamic range of personalities emerges out of an array of physical characteristics, distinctive settings, and personal relationships to the camera. (Amy Beste and Jessica Bardsley)

In California's San Joaquin Valley agriculture and oil power the local economy. When immigrant farm laborers decide where to live because of where they work, adverse effects on their well-being may soon follow. 'Everybody's Nuts' documents the collision of symbiotic worlds This scenario in the forgotten landscape between Los Angeles and San Francisco.