Jamie Stewart

chapter i: SOMETIMES I THINK WE ALL GO UP IN SMOKE -A woman longs for one joyful Halloween with her family, but the ghosts of her past ignite a flame within her that she cannot control chapter ii : HARMONY IN HYDROCHLORIC HOSPITAL -A lonely lumberjack forms an unexpected bond with a terminally ill orphan at the Hospital on Christmas Eve, finding comfort in each other and making a promise to share the holiday together. chapter iii: UNTIL THERE WAS NOTHING LEFT TO HEAR -Haunted by the final days of a failing relationship, a reclusive painter retreats to a motel after a bitter Valentine's Day fight to finish his masterpiece.

A live performance by Xiu Xiu at Rubber Gloves in Denton, Texas.

Eraserhead Xiu Xiu is a new live concert with accompanying film & full-length album that uses field recordings, concert specific homemade instruments, organ, modular synths, vocals, flashlights, electrical interference, and elements of musique concrete to express the bizarre emotionality, conflicted sexuality, relentless darkness, and singularly unsettled moonscape of this most incredible of midnight masterpieces.

A brief musing on historical trauma, human suffering and ironic distance.

Bonus DVD of "Women As Lovers" containing tour films and 16 music videos.

A series of experimental vignettes that expound upon the dark irony of the accompanying performances from the critically acclaimed band, Xiu Xiu. From jellyfish floating in the sky to hand-drawn animation, award winning director Courtney Fathom Sell explores a variegated palette of expression. Featuring favorite tracks like Bog People, Boy Soprano, and F.T.W., the latest single from their recently released LP, Women As Lovers You Cant Hear Me is a unique and dreamlike experience from start to finish.

Eraserhead Xiu Xiu is a new live concert with accompanying film & full-length album that uses field recordings, concert specific homemade instruments, organ, modular synths, vocals, flashlights, electrical interference, and elements of musique concrete to express the bizarre emotionality, conflicted sexuality, relentless darkness, and singularly unsettled moonscape of this most incredible of midnight masterpieces.

A brief musing on historical trauma, human suffering and ironic distance.