Natália Reis

Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.

Henrique is a filmmaker who has made films that hardly anyone saw. A marginal for lack of choice.

Elza is a retired teacher who, after her husband’s death, finds herself alone and isolated. In search of a new way to live, she begins exploring her neighborhood and, by chance, joins a theater class. From that moment on, she immerses herself in the transformative power of art.

Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.

Henrique is a filmmaker who has made films that hardly anyone saw. A marginal for lack of choice.

Elza is a retired teacher who, after her husband’s death, finds herself alone and isolated. In search of a new way to live, she begins exploring her neighborhood and, by chance, joins a theater class. From that moment on, she immerses herself in the transformative power of art.