Dimer Camargo Monteiro

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

A period piece set in the 1920s and 1930s. It tells the story of Santa Dica, leader of the messianic movement in Goiás, a peasant girl of rare beauty who comes back to life after mysteriously appearing dead at the age of 13. The film covers the Prestes Column, the Revolution of 1930 in Goiás, and the Revolution of 1932 in São Paulo, episodes in which Santa Dica participated. The film maintains the original locations and features approximately 3,700 extras in its ensemble.

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