Mara Fondacaro

Ada and her partner Rino move into a secluded villa surrounded by nature. Expecting their second child, Ada finds herself haunted by the unresolved grief of losing their firstborn. As the due date approaches, the sorrow she has long suppressed resurfaces, and she begins to sense a disturbing presence-convinced that her late son has returned from beyond to prevent the birth of his sibling. Is something truly supernatural at play, or is Ada slowly losing her grip on reality?

In a dark, velvety theatre, there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow. The chaos of awakening desire in its complexity and sensuality is told and made almost physically tangible through looks and gestures, approach and retreat, hope and fear.

There’s a Naples of the imagination and there’s the real city: the city of fiction and the one with its tales of a past very much alive. Massimilano Gallo’s directorial debut, La salita, is a film about a little-known anecdote from the life of Eduardo De Filippo, featuring a Nisida very different from the image it has in the series Mare fuori, yet Gallo’s take on prison and women behind bars is just as contemporary. Courtesy of Panamafilm and the Film Commission Regione Campania.

In a country villa Tommaso spent the last days of summer with his father and his new partner. Nothing went the way he was supposed to, the tensions never melted. It's the last day before they go home. Maybe there is one more thing to say.

Vittoria is an exuberant thirteen-year-old girl who lives in the province of Naples and who dreams of becoming an influencer. Her father, Fabrizio, on her birthday gives her a ticket to parade on the red carpet in Venice. She begins a bizarre preparation: clothes made up of newspaper clippings, the search for the right outfit to get the blue check and many, many stories on social media.

A woman decides to start her own business and open a salon in the Spanish Quarter, but a rivalry with her former owner will begin.

Ada and her partner Rino move into a secluded villa surrounded by nature. Expecting their second child, Ada finds herself haunted by the unresolved grief of losing their firstborn. As the due date approaches, the sorrow she has long suppressed resurfaces, and she begins to sense a disturbing presence-convinced that her late son has returned from beyond to prevent the birth of his sibling. Is something truly supernatural at play, or is Ada slowly losing her grip on reality?

Ada and her partner Rino move into a secluded villa surrounded by nature. Expecting their second child, Ada finds herself haunted by the unresolved grief of losing their firstborn. As the due date approaches, the sorrow she has long suppressed resurfaces, and she begins to sense a disturbing presence-convinced that her late son has returned from beyond to prevent the birth of his sibling. Is something truly supernatural at play, or is Ada slowly losing her grip on reality?

In a dark, velvety theatre, there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow. The chaos of awakening desire in its complexity and sensuality is told and made almost physically tangible through looks and gestures, approach and retreat, hope and fear.

There’s a Naples of the imagination and there’s the real city: the city of fiction and the one with its tales of a past very much alive. Massimilano Gallo’s directorial debut, La salita, is a film about a little-known anecdote from the life of Eduardo De Filippo, featuring a Nisida very different from the image it has in the series Mare fuori, yet Gallo’s take on prison and women behind bars is just as contemporary. Courtesy of Panamafilm and the Film Commission Regione Campania.

In a country villa Tommaso spent the last days of summer with his father and his new partner. Nothing went the way he was supposed to, the tensions never melted. It's the last day before they go home. Maybe there is one more thing to say.

Vittoria is an exuberant thirteen-year-old girl who lives in the province of Naples and who dreams of becoming an influencer. Her father, Fabrizio, on her birthday gives her a ticket to parade on the red carpet in Venice. She begins a bizarre preparation: clothes made up of newspaper clippings, the search for the right outfit to get the blue check and many, many stories on social media.

A woman decides to start her own business and open a salon in the Spanish Quarter, but a rivalry with her former owner will begin.

Two boys compete in basketball on the pitch of a reformatory: Simone tries to involve Valerio who is down in the dumps and then tells him a fantastic story about the "bullfish".

Early '90s, hinterland of Naples. Felicetta feels marginalized by the wealthy side of her family and the social context in which she lives. One day a Camorra boss in hiding, Salvatore, asks her for shelter. After some hesitation she feels forced to accept.