Carlos Dominguez

Ibrahim, a Moroccan soldier, is sent to a deserted island off the Mediterranean coast of Morocco to monitor the movements of smugglers and illegal immigrants. One day, Ibrahim finds a Sub-Saharan man, Mamadou, washed up on the beach. While the unlikely pair tries to survive on the miniscule island, they inadvertently trigger a diplomatic incident that crescendos into a regional military crisis.

After messing with a few hand-made film techniques, I got interested in the sound mechanism for 16mm film projectors and experimented with different ways of getting a soundtrack onto the film. The patterns seen in check are from Jean Larcher’s “Optical and Geometrical Allover Patterns” .

Ibrahim, a Moroccan soldier, is sent to a deserted island off the Mediterranean coast of Morocco to monitor the movements of smugglers and illegal immigrants. One day, Ibrahim finds a Sub-Saharan man, Mamadou, washed up on the beach. While the unlikely pair tries to survive on the miniscule island, they inadvertently trigger a diplomatic incident that crescendos into a regional military crisis.

After messing with a few hand-made film techniques, I got interested in the sound mechanism for 16mm film projectors and experimented with different ways of getting a soundtrack onto the film. The patterns seen in check are from Jean Larcher’s “Optical and Geometrical Allover Patterns” .