Madeleine Blackwell

Fran, the assistant to university professor Paddy, is about to turn 30. She is having an affair with a married minister's aide, Stephen. She returns home to the country town she grew up in and has a fling with an old flame, Alan. She also begins sleeping with Paddy.

Fairly sensitive melodrama about life on the back-roads in Australia at the height of the Great Depression. Centring on the developing romance between two drifters this presents a commendable level of period detail. Based on the novel by Kylie Tennant.

Two childhood friends who marry brothers in the Army soon discover that their lives will take a different path from what they first expected.

Two children get stranded in the desert in Australia's Top End.

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.

Maggie, a professional woman dutifully paying a visit to her overbearing mother in Sydney, encounters a 14-year-old Kosovan girl on the train. Strangely propelled by the girl's isolation, she embarks on a mission to reunite her with her mother in a refugee detention centre, but gradually discovers that it is in fact the young stranger who is showing her how to reconcile with her own mother.