
Directing
Polly Findlay
London, United Kingdom
Polly Findlay is a British theatre director, who won the Olivier for Best Entertainment in 2011 for Derren Brown's Svengali. She has directed seven productions for the National Theatre, and four for the Royal Shakespeare Company, where she is an associate artist.
Acting credits
Behind the camera
7.2Longtime retired couple Stella and Gerry realise that their relationship has reached a crossroads while on holiday in Amsterdam. After so much time and so many memories, long-held promises and deeply concealed wounds threaten to come to light and force them to confront their future.
Midwinter Break
2026
9.0In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.
National Theatre Live: Antigone
2012
9.0Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.
RSC Live: Macbeth
2018
6.2It’s a dark, stormy night. The stars are out. Jim, the inn-keeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in – and her dangerous voyage begins. Robert Louis Stevenson’s story of murder, money and mutiny is brought to life on the Olivier stage in a thrilling new adaptation by Bryony Lavery.
National Theatre Live: Treasure Island
2015
9.0With her father the Duke banished and in exile, Rosalind and her cousin Celia leave their lives in the court behind them and journey into the Forest of Arden. There, released from convention, Rosalind experiences the liberating rush of transformation. Disguising herself as a boy, she embraces a different way of living and falls spectacularly in love.
National Theatre Live: As You Like It
2016

