Elena Markina

A mother is trying hard to love her five-years old daughter, but even the child's very presence continuously reminds her about the trauma of rape she survived five years ago. As troubled apparitions, fears and inner disorder of the mother begin to influence the little girl's psyche. Could the sincere affection of the child alleviate her mother's suffering?

Petya’s dream is to become a tram driver, and the boy has explored every corner of the tram depot located near his house. The lad is well acquainted with the “residents” of the depot: the old trams, which long ago served out their term and are now laid up forever in its furthest, emptiest reaches. One day Petya decides to show his classmate Katya his secret place, and the excursion turns into an adventure.

События развиваются вокруг лотерейного билета, выброшенного за ненадобностью археологами, которых интересует только их наука. Но оказывается, что билет сулит фантастический выигрыш, в миллион долларов. Стать обладателями огромной суммы хотят двое бомжей, члены племени айсоров, пара подростков и даже сам президент страны. Никто не желает уступать дорогу к осуществлению своей мечты. За счастливым билетом начинается охота.

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.

Patients of an insane asylum, the last refuge of genuine feelings and, it seems, hopes that come true..

While the bride is late for the wedding, the guests tell various marriage stories, which confuse the groom.

A tired, naive librarian in her fourties, has experienced hard labor, chores, and failed love. Her brittle voice and childish naiveness add to her defenselessness. Despite her stubbornness, she maintains a strong spirit that helps her stay true to herself.

In "Dead Souls" Gogol posed the most pressing and painful questions of modern life. The very title of the poem had enormous revealing power; it carried, according to Herzen, “something terrifying”, “he could not name it otherwise; not the revisionists - dead souls, but all these Nozdryovs. Manilovs and all those like them are dead souls, and we meet them at every step..."

The film-play based on the play of the same name by V. Dykhochivny and M. Slobodsky ridicules formalism and bureaucracy.