Maya E. Rudolph

Nova, a twenty-two year old drummer in a Beijing rock band, is going to America and falling in love for the first time.

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

When stargazer Maryellen learns that a rocket scientist will visit her classroom and be introduced by the student who writes the best essay on "The Wonder of Space", she can't wait to enter the contest--even after a classmate's disparaging remark that girls and outer space don't mix. To really make a splash, Maryellen forgoes the essay and draws a comic book about a fearless adventurer, "Astro Girl". But will her daring comic earn her a place in the stars?

A cable system designed by controversial Chinese company Huawei Technologies enables communication between an expert and a machine. Time succumbs to space in a "New Cold War" played out in technological materials.

Nova, a twenty-two year old drummer in a Beijing rock band, is going to America and falling in love for the first time.

Nova, a twenty-two year old drummer in a Beijing rock band, is going to America and falling in love for the first time.

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

When stargazer Maryellen learns that a rocket scientist will visit her classroom and be introduced by the student who writes the best essay on "The Wonder of Space", she can't wait to enter the contest--even after a classmate's disparaging remark that girls and outer space don't mix. To really make a splash, Maryellen forgoes the essay and draws a comic book about a fearless adventurer, "Astro Girl". But will her daring comic earn her a place in the stars?

When stargazer Maryellen learns that a rocket scientist will visit her classroom and be introduced by the student who writes the best essay on "The Wonder of Space", she can't wait to enter the contest--even after a classmate's disparaging remark that girls and outer space don't mix. To really make a splash, Maryellen forgoes the essay and draws a comic book about a fearless adventurer, "Astro Girl". But will her daring comic earn her a place in the stars?

A cable system designed by controversial Chinese company Huawei Technologies enables communication between an expert and a machine. Time succumbs to space in a "New Cold War" played out in technological materials.