Toby Reisz

A behind the scenes look at the making of Sleepy Hollow.

A making-of documentary for the film Braveheart (1995).

A documentary on the films of Ken Loach. Interviews with cast and crew who worked with Loach over the years. It describe his approach to allowing actors a wide range of freedom.

A three-part retrospective with notes from Gibson, Wallace, producers Bruce Davey and Alan Ladd, Jr., unit manager Kevin de la Noy, cinematographer John Toll, and 2nd unit director/stunt coordinator Mic Rodgers. The show looks at the project's development from the Gibson/studio point of view, Gibson's work as director and the challenges of doing "double duty" as an actor, editing and music, sets and locations, logistics, stunts and action scenes, and various other production concerns.

Having consulted with top Harley Street specialists, the St Anne’s Jombulance Brigade and Professor Witty, (who I never found funny?) the one that did Covid, (the bald one), Count Arthur Strong has decided to gradually phase in his farewell to the nation with a tour over a, as yet to be specified, number of parts because of the likelihood of people doing cold turkey in theatres over him. Whilst partial himself to a bit of cold turkey, particularly with some sliced up gherkin and a squirt of salad cream in a sandwich, it is banned in most theatre auditoriums, (apart from in the north east), because of it getting trodden into the carpets etc, and the cumulative smell. To avoid any inconvenience, you can now watch Arthur in the comfort of your own home filmed live during this never to be forgotten start to his farewell tour.

Sam was born with an extremely rare genetic disorder called Familial Dysautonomia. When born, he had 50 per cent chance of making it to his fifth birthday. Now, at the age of 39 we follow this exceptional person as he pursues his joint goals of getting his acting career back on track and finding love.

A behind the scenes look at the making of Sleepy Hollow.

A making-of documentary for the film Braveheart (1995).

A documentary on the films of Ken Loach. Interviews with cast and crew who worked with Loach over the years. It describe his approach to allowing actors a wide range of freedom.

A three-part retrospective with notes from Gibson, Wallace, producers Bruce Davey and Alan Ladd, Jr., unit manager Kevin de la Noy, cinematographer John Toll, and 2nd unit director/stunt coordinator Mic Rodgers. The show looks at the project's development from the Gibson/studio point of view, Gibson's work as director and the challenges of doing "double duty" as an actor, editing and music, sets and locations, logistics, stunts and action scenes, and various other production concerns.

Having consulted with top Harley Street specialists, the St Anne’s Jombulance Brigade and Professor Witty, (who I never found funny?) the one that did Covid, (the bald one), Count Arthur Strong has decided to gradually phase in his farewell to the nation with a tour over a, as yet to be specified, number of parts because of the likelihood of people doing cold turkey in theatres over him. Whilst partial himself to a bit of cold turkey, particularly with some sliced up gherkin and a squirt of salad cream in a sandwich, it is banned in most theatre auditoriums, (apart from in the north east), because of it getting trodden into the carpets etc, and the cumulative smell. To avoid any inconvenience, you can now watch Arthur in the comfort of your own home filmed live during this never to be forgotten start to his farewell tour.

Sam was born with an extremely rare genetic disorder called Familial Dysautonomia. When born, he had 50 per cent chance of making it to his fifth birthday. Now, at the age of 39 we follow this exceptional person as he pursues his joint goals of getting his acting career back on track and finding love.