Emmanuel Dechartre

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.

1920. Georges Clémenceau just lost the french presidential elections to the unknown Paul Deschanel, an idealistic who wants to change the country. But, one day, Deschanel falls from a train and disappear. At daybreak, France is looking for its president, a great chance for the « Tiger » Georges Clémenceau.

French TV dramatic film made early in Depardieu's career that includes Oscar winning character actress Gale Sondegaard in the supporting cast.

No synopsis available yet.

An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the fatality of existence.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.