Huberto Jiménez

Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.

Two documentary makers meet again, through a TV news show, with a friend from their youth, Camilo Mejía, the first United States soldier to fight in the Iraq War, who after being declared a deserter by the military court spent a year in prison. "Why are we here? Do we have a right to do this? Are we, at least, protecting ourselves?" The documentary finds in Mejía, an antiwar activist presently living in Miami, a reflection about the war experience.

Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.

Two documentary makers meet again, through a TV news show, with a friend from their youth, Camilo Mejía, the first United States soldier to fight in the Iraq War, who after being declared a deserter by the military court spent a year in prison. "Why are we here? Do we have a right to do this? Are we, at least, protecting ourselves?" The documentary finds in Mejía, an antiwar activist presently living in Miami, a reflection about the war experience.