Lukas Malinauskas

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The world's hardest - and weirdest - heavy metal band Impaled Rektum is serving their sentence in Norway's nicest prison. They receive word that guitarist Lotvonen's parents' reindeer herding farm is about to come under the hammer. It will take a big gig and big money to save the farm. A breakout ensues and a trip to the world's biggest heavy festival, Wacken in northern Germany begins. The higher the target, the bigger the obstacles. This is what the boys will experience on their epic journey to the main stage of Wacken - every metalhead's heaven.

Dainius, a young rock singer, locks himself away in a secluded country house surrounded by swamps. Hoping to meet his beloved in dreamland, the musician is eagerly assisted in his studies by a local boy exploited by moonshiners.

A young man infiltrates a radical neo-Nazi group to find the killer of his LGBT+ activist boyfriend.

A young couple of lovers is separated by the unexpected and tragic death of the girl. A few months after the incident, the man’s mental health has deteriorated. He starts to meet his dead lover in every corner.

When Marija learns that her unstable boyfriend has disappeared, she takes to the streets in an attempt to find him.

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

Is anything changing in life when in a film your characters death, mourning the loss of beloved one - parents, children is played? In Life After Death, this question is posed in different forms to three generations of actors.

A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

The first DĖMESIO! concert, which took place in Kablys, Vilnius, became a film capturing the moment, combining musical experience with documentary material.

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

The story follows two homeless siblings who turn to the criminal world to survive. Their new life lives take a radical turn when the goods they are meant to transport turn out to be two young girls.

After the National Performing Arts Awards, the bus of actors returns home: everyone was nominated, but no one won. The bus is filled with thank-you speeches, karaoke and champagne. As the actors are driving along, they suddenly see their colleagues' car on the side of the road.

After 30 years of exile in Paris, Jana travels back to Vilnius. She wants to see again the lake that Paulius, her first love, called “Walden”.

Lithuanian provincial town is facing the economic crisis in 2008. Vytas gets fired from the factory. Pushed by his wife, he immediately starts looking for a new job, but not really successfully. After having his haircut done, Vytas starts looking for a new love affair with a hairdresser Marija, but not really successfully, either. Finally, Vytas gets involved into a third search - he starts looking for a guy who posted video on youtube, claiming he saw Jesus Christ in their town. This is the only time he succeeds.

Mystical thriller about an investigation carried out by three characters into the disappearance of the residents of a small town. The film is characterized by a twisted plot and alternating main suspects until, at the end of the film, the viewers are presented with a strikingly different version of the story. It is the second film by Marius Pocevičius, in which an ironic and absurd world is created and complex narrative wings that involve the viewer throughout the film's time.

Thirty-year old guy is assaulted on the street. Randomly, in the middle of a day. The emotional damage hurts him more than the punches taken. This is a new experience for him. The guy tries to sort things out between justice, revenge and a bit of shame. Meanwhile, on the opposite side of the story there are guys that did the beating. They practice first-punch knockouts. And they helpfully carry their mothers’ food bags in the evening.

It is a gentle sense story about floor scraping and friends that just have moved in together.

In a first‐ever national “Jealousy Games,” three teams - a group of friends, a family with children and an elderly couple - compete to vacation so lavishly that the entire country envies them and win a huge cash prize. But their attempts to spark envy in Palanga, Šventoji and Nida are constantly held back by mishaps and a relentless “jealousy expert“.

It's a sad comedy about twenty something's generation and the question 'if somewhere is better?'

German artist Adolf Menzel's unfinished painting Kircheninneres comes to life in a vision of a post-apocalyptic world where modern society is left in ruins and the only way to survive is to dominate. The plot of the film focuses on two gangs of young men fighting over a church that has been transformed into a shelter. The protagonist, a member of one of the gangs, tries to navigate between the desire to survive and his humanity. He seeks to protect the one he loves, he does not want to betray his friends, and therefore he does not withdraw from the fight. When the gangs clash in a brutal battle, the wounded hero is rescued by his beloved at the risk of his own life. The hero's friends win the battle, but instead of joyful bells, the thunder of fighter jets rings out, blending in with the brushstrokes of the unfinished painting. The lovers fail to protect each other from their inevitable fate.

"Super,"" ""the best movie in the world,"" ""When can we download it?""—these were some of the reactions to Tadas Vidmantas' controversial debut film Gautas iškvietimas. Now, less than a year later, the trilogy concludes with Gautas iškvietimas 3. Following their unexpected success, the 7th Police Precinct faces a rare challenge—spending large sums of money. Their motto shifts from ""Protect, Serve, Help"" to ""Buy, Spend, Waste,"" but they soon realize that money can't buy happiness… though that won’t stop them from trying. Chaos follows them everywhere—dangerous calls, absurd situations, and endless trouble. Do riches change people? Which officer is expecting a baby? And will all beloved characters make it to the end? All this and more in the wildest, most star-studded Lithuanian police comedy yet—Gautas iškvietimas 3!