Julia Staniszewska

Piotr is 24 years old and has just met the woman of his life. As usual, he comes to tell his mother about it. At first, he does not notice that the roles are just turning and now she will need him.

The film is a double portrait with children in the background. The grandmother and the mother differ in their moral assessment of in vitro fertilisation, which is important inasmuch as two grandsons were born thanks to this method. The convictions of one of them cannot be reconciled with the decisions of the other. The toughening of the older woman’s position, in particular, locks them both in an ideological clinch. But the difficult conversation about the possibilities of reuniting love, faith and ideology is still going on.

Piotr is 24 years old and has just met the woman of his life. As usual, he comes to tell his mother about it. At first, he does not notice that the roles are just turning and now she will need him.

Piotr is 24 years old and has just met the woman of his life. As usual, he comes to tell his mother about it. At first, he does not notice that the roles are just turning and now she will need him.

The film is a double portrait with children in the background. The grandmother and the mother differ in their moral assessment of in vitro fertilisation, which is important inasmuch as two grandsons were born thanks to this method. The convictions of one of them cannot be reconciled with the decisions of the other. The toughening of the older woman’s position, in particular, locks them both in an ideological clinch. But the difficult conversation about the possibilities of reuniting love, faith and ideology is still going on.