Michael Camerini

Why has it been so hard for Washington to fix our country's broken immigration system? In "Immigration Battle," a special two-hour feature film presentation from FRONTLINE and INDEPENDENT LENS, acclaimed independent filmmakers Shari Robertson and Michael Camerini take viewers behind closed doors in Washington's corridors of power to explore the political realities surrounding one of the country's most pressing and divisive issues.

Japanese husband and wife muralists Iri and Toshi Maruki are known for their depictions of the destruction of Hiroshima and Nagasaki. Their collaborative relationship is unique: one paints a painfully detailed vision of the victims of the atomic blast; the other conceals the carefully delineated brush strokes with a grey-black ink “wash.” The first artist restates the specifics of the image; the second re-conceals. Through the repetition of this process, the work emerges.

Examines how the Immigration and Naturalization Service decides who will be granted asylum in the United States. The applicant must have a "well-founded fear" of persecution in his or her home country. Despite true and terrifying stories of torture and mistreatment, it's often up to how well the translator presents the case and how sensitive are the ears of the asylum officer to decide a person's fate.

The concluding film of "How Democracy Works Now," a documentary series that brings the viewer behind the scenes of American democracy and shows how change happens at every level of government. The Senators' Bargain plunges viewers directly into the backstage reality of a remarkable moment -- before the 2008 elections, before the bailouts, before Tea Partiers -- when a high-stakes bill six years in the making had a chance to change American immigration policy. But deep at the heart of this fast-moving story, below the level of strategy and protocol, we find a moral tale of modern American politics. Ted Kennedy, one of the handful of people who, through his personal efforts had truly changed the face of America, now would be forced to decide: how much did he want this deal, and what was he willing to trade for his greatest legacy.

A documentary which takes a dispassionate look at the "born again Christian" phenomenon, by examining the power source of the fundamentalist movement: the small, tightly knit community church. The program looks at an independent Baptist church outside Worcester, Massachusetts--the Shawmut Valley Baptist Church--and shows the impact of the fundamentalist religion on the lives of several members of the congregation.

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

Why has it been so hard for Washington to fix our country's broken immigration system? In "Immigration Battle," a special two-hour feature film presentation from FRONTLINE and INDEPENDENT LENS, acclaimed independent filmmakers Shari Robertson and Michael Camerini take viewers behind closed doors in Washington's corridors of power to explore the political realities surrounding one of the country's most pressing and divisive issues.

Japanese husband and wife muralists Iri and Toshi Maruki are known for their depictions of the destruction of Hiroshima and Nagasaki. Their collaborative relationship is unique: one paints a painfully detailed vision of the victims of the atomic blast; the other conceals the carefully delineated brush strokes with a grey-black ink “wash.” The first artist restates the specifics of the image; the second re-conceals. Through the repetition of this process, the work emerges.

Examines how the Immigration and Naturalization Service decides who will be granted asylum in the United States. The applicant must have a "well-founded fear" of persecution in his or her home country. Despite true and terrifying stories of torture and mistreatment, it's often up to how well the translator presents the case and how sensitive are the ears of the asylum officer to decide a person's fate.

The concluding film of "How Democracy Works Now," a documentary series that brings the viewer behind the scenes of American democracy and shows how change happens at every level of government. The Senators' Bargain plunges viewers directly into the backstage reality of a remarkable moment -- before the 2008 elections, before the bailouts, before Tea Partiers -- when a high-stakes bill six years in the making had a chance to change American immigration policy. But deep at the heart of this fast-moving story, below the level of strategy and protocol, we find a moral tale of modern American politics. Ted Kennedy, one of the handful of people who, through his personal efforts had truly changed the face of America, now would be forced to decide: how much did he want this deal, and what was he willing to trade for his greatest legacy.

A documentary which takes a dispassionate look at the "born again Christian" phenomenon, by examining the power source of the fundamentalist movement: the small, tightly knit community church. The program looks at an independent Baptist church outside Worcester, Massachusetts--the Shawmut Valley Baptist Church--and shows the impact of the fundamentalist religion on the lives of several members of the congregation.

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

The textures and complexities of everyday life in India unfold in Michael Camerini's richly observed story of two poor women and their efforts to improve their lives.