Mauro Cappelloni

Two thirtysomething friends on the verge of a nervous breakdown can no longer cope with the stress created by their wives, jobs, mobile phones, and struggle for survival.

Angelo gets handcuffed to the bed by Alba who won't let him go. A womanizer rediscovers fear, doubts and desire.

Rome, 1990s. Gian Luigi, an unscrupulous financial administrator, finds himself embroiled in a journalistic investigation that aims to unmask shady monetary dealings. The recklessness of the fixer has the hours numbered.

After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.

Two thirtysomething friends on the verge of a nervous breakdown can no longer cope with the stress created by their wives, jobs, mobile phones, and struggle for survival.

Two thirtysomething friends on the verge of a nervous breakdown can no longer cope with the stress created by their wives, jobs, mobile phones, and struggle for survival.

Angelo gets handcuffed to the bed by Alba who won't let him go. A womanizer rediscovers fear, doubts and desire.

Rome, 1990s. Gian Luigi, an unscrupulous financial administrator, finds himself embroiled in a journalistic investigation that aims to unmask shady monetary dealings. The recklessness of the fixer has the hours numbered.

Rome, 1990s. Gian Luigi, an unscrupulous financial administrator, finds himself embroiled in a journalistic investigation that aims to unmask shady monetary dealings. The recklessness of the fixer has the hours numbered.

Rome, 1990s. Gian Luigi, an unscrupulous financial administrator, finds himself embroiled in a journalistic investigation that aims to unmask shady monetary dealings. The recklessness of the fixer has the hours numbered.

After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.

After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.