Bernard P. Guiremand

Old Léon lives an hour outside Paris, in the company of one of his daughters, his son-in-law and his granddaughter. The latter agrees to take him to see his paralyzed cousin Adolphe in a Paris hospice. He takes the opportunity to visit his first wife, trying to get news of his daughter Louise, who is dead but whom he prefers to believe is alive. What remains is the haunting memory of the daffodils he planted for her...

The ending of filming 24 passions over 24 years in Burzet (France). Shot on a silver film, it takes us on a tour around the area now left empty.

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.

Old Léon lives an hour outside Paris, in the company of one of his daughters, his son-in-law and his granddaughter. The latter agrees to take him to see his paralyzed cousin Adolphe in a Paris hospice. He takes the opportunity to visit his first wife, trying to get news of his daughter Louise, who is dead but whom he prefers to believe is alive. What remains is the haunting memory of the daffodils he planted for her...