Yelizaveta Smith

The family has to celebrate the New Year at the new place for the first time. Despite all the efforts, there is no holiday spirit and everything goes wrong. Almost everything.

The film does not have a main character, but instead explores the experience of war through the prism of the collective and the individual: those forced to flee, those who take up arms, those who lose their homes or are left to live among the ruins. The film shows people's reactions to aggression and violence, to the change in the space in which they live, and their adaptation to a new reality.

After spending months as a prisoner in Donbas, Ukrainian aerial reconnaissance expert Lilia returns home to her family. But the trauma of captivity continues to torment her and surface in dreamlike ways. Something growing deep within Lilia will not allow her to forget, yet she refuses to identify as a victim and will fight to liberate herself.

A documentary that tells the stories of women, each of whom changes their lives based on the cycle of violence. But these changes are a long and difficult process of self-working. From calling the police, living in a shelter to returning to themselves, women dare to go this way for themselves and their children.

During a large storm, the sea flushes a Second World War bomb to the beach of a port city. The city authorities decide to evacuate the area. Khrystyna, a 45-year-old single woman, has no choice but to leave the place. The gathering point for the people is the city theatre. There she meets a young man Illia, a stage worker, who is responsible for the evacuated people. There is an understanding and intimacy between them that frightens both.

About a young musician from the Carpathian village of Vorokhta who comes to Kyiv in the winter of 2013 for the Revolution of Dignity to play barricades and talk to protesters. Collisions with security forces are getting tougher and Peter has to replace cymbals with a helmet and a bulletproof vest. Upon returning home, he realizes that he cannot sit back and goes to play his music for people in the newly liberated cities.

The family has to celebrate the New Year at the new place for the first time. Despite all the efforts, there is no holiday spirit and everything goes wrong. Almost everything.

The film does not have a main character, but instead explores the experience of war through the prism of the collective and the individual: those forced to flee, those who take up arms, those who lose their homes or are left to live among the ruins. The film shows people's reactions to aggression and violence, to the change in the space in which they live, and their adaptation to a new reality.

The film does not have a main character, but instead explores the experience of war through the prism of the collective and the individual: those forced to flee, those who take up arms, those who lose their homes or are left to live among the ruins. The film shows people's reactions to aggression and violence, to the change in the space in which they live, and their adaptation to a new reality.

After spending months as a prisoner in Donbas, Ukrainian aerial reconnaissance expert Lilia returns home to her family. But the trauma of captivity continues to torment her and surface in dreamlike ways. Something growing deep within Lilia will not allow her to forget, yet she refuses to identify as a victim and will fight to liberate herself.

A documentary that tells the stories of women, each of whom changes their lives based on the cycle of violence. But these changes are a long and difficult process of self-working. From calling the police, living in a shelter to returning to themselves, women dare to go this way for themselves and their children.

A documentary that tells the stories of women, each of whom changes their lives based on the cycle of violence. But these changes are a long and difficult process of self-working. From calling the police, living in a shelter to returning to themselves, women dare to go this way for themselves and their children.

During a large storm, the sea flushes a Second World War bomb to the beach of a port city. The city authorities decide to evacuate the area. Khrystyna, a 45-year-old single woman, has no choice but to leave the place. The gathering point for the people is the city theatre. There she meets a young man Illia, a stage worker, who is responsible for the evacuated people. There is an understanding and intimacy between them that frightens both.

During a large storm, the sea flushes a Second World War bomb to the beach of a port city. The city authorities decide to evacuate the area. Khrystyna, a 45-year-old single woman, has no choice but to leave the place. The gathering point for the people is the city theatre. There she meets a young man Illia, a stage worker, who is responsible for the evacuated people. There is an understanding and intimacy between them that frightens both.

About a young musician from the Carpathian village of Vorokhta who comes to Kyiv in the winter of 2013 for the Revolution of Dignity to play barricades and talk to protesters. Collisions with security forces are getting tougher and Peter has to replace cymbals with a helmet and a bulletproof vest. Upon returning home, he realizes that he cannot sit back and goes to play his music for people in the newly liberated cities.

About a young musician from the Carpathian village of Vorokhta who comes to Kyiv in the winter of 2013 for the Revolution of Dignity to play barricades and talk to protesters. Collisions with security forces are getting tougher and Peter has to replace cymbals with a helmet and a bulletproof vest. Upon returning home, he realizes that he cannot sit back and goes to play his music for people in the newly liberated cities.

Archaeologist Marta (32) returns to her hometown to sell the apartment of her long-missing father and finds out that she belongs to a world she wanted so much to forget.

Archaeologist Marta (32) returns to her hometown to sell the apartment of her long-missing father and finds out that she belongs to a world she wanted so much to forget.

Archaeologist Marta (32) returns to her hometown to sell the apartment of her long-missing father and finds out that she belongs to a world she wanted so much to forget.

In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.