Antra Cilinska-Dombrovska

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

It's Latvia on the 20th of September, 2003 - the day of the referendum about joining the European Union. On the day of the referendum, twelve Latvian film directors of different generations portray twelve different characters across the country. Their life stories and environments affect their decision of voting “for” or “against”.

A documentary about Latvian partisans ("forest brothers") who were fighting against the Soviet occupation long after the end of WWII.

Latvian Imants Tillers is one of the most important Australian artists of his generation, creator of installations, sculptures, paintings and graphic arts. His work is a kind of a world book – events connect and cultural references intertwine in a mutually interactive system, nurturing his own search for identity.

The story of young lives in the young offenders unit in Cēsis, Latvia. A place governed by its own codes and order, where unwritten rules are more powerful than the written word. In the making of the film, the production team witnessed a gamut of attitudes and emotions. Much can be understood from the youths’ gestures, facial expressions and from their actions. Secretive and uncommunicative, they are victims, yet perpetrators of crime. But, also still children.

A tribute to late Latvian documentary film director Juris Podnieks. It was his plan to make this film about Latvia and Russia after the collapse of the USSR.

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

It's Latvia on the 20th of September, 2003 - the day of the referendum about joining the European Union. On the day of the referendum, twelve Latvian film directors of different generations portray twelve different characters across the country. Their life stories and environments affect their decision of voting “for” or “against”.

It's Latvia on the 20th of September, 2003 - the day of the referendum about joining the European Union. On the day of the referendum, twelve Latvian film directors of different generations portray twelve different characters across the country. Their life stories and environments affect their decision of voting “for” or “against”.

A documentary about Latvian partisans ("forest brothers") who were fighting against the Soviet occupation long after the end of WWII.

Latvian Imants Tillers is one of the most important Australian artists of his generation, creator of installations, sculptures, paintings and graphic arts. His work is a kind of a world book – events connect and cultural references intertwine in a mutually interactive system, nurturing his own search for identity.

Latvian Imants Tillers is one of the most important Australian artists of his generation, creator of installations, sculptures, paintings and graphic arts. His work is a kind of a world book – events connect and cultural references intertwine in a mutually interactive system, nurturing his own search for identity.

The story of young lives in the young offenders unit in Cēsis, Latvia. A place governed by its own codes and order, where unwritten rules are more powerful than the written word. In the making of the film, the production team witnessed a gamut of attitudes and emotions. Much can be understood from the youths’ gestures, facial expressions and from their actions. Secretive and uncommunicative, they are victims, yet perpetrators of crime. But, also still children.

A tribute to late Latvian documentary film director Juris Podnieks. It was his plan to make this film about Latvia and Russia after the collapse of the USSR.

A tribute to late Latvian documentary film director Juris Podnieks. It was his plan to make this film about Latvia and Russia after the collapse of the USSR.

The existence of two parallel communities – one Latvian, the other Russian, is the reality of present day Latvia. After the restoration of an independent Latvian Republic in 1991, the Russian-speaking community began to see themselves as a threatened minority and started to depict themselves as oppressed. Where does the truth lie? Are there victims? Or is it simply that the idea of integration, for both sides, does not work properly?

The existence of two parallel communities – one Latvian, the other Russian, is the reality of present day Latvia. After the restoration of an independent Latvian Republic in 1991, the Russian-speaking community began to see themselves as a threatened minority and started to depict themselves as oppressed. Where does the truth lie? Are there victims? Or is it simply that the idea of integration, for both sides, does not work properly?

The existence of two parallel communities – one Latvian, the other Russian, is the reality of present day Latvia. After the restoration of an independent Latvian Republic in 1991, the Russian-speaking community began to see themselves as a threatened minority and started to depict themselves as oppressed. Where does the truth lie? Are there victims? Or is it simply that the idea of integration, for both sides, does not work properly?

A film about the attack on the Ministry of Internal Affairs in 1991 when Latvia was regaining its independence from the Soviet Union. Several people were killed in the attack, including two cameramen, Andris Slapiņš and Gvido Zvaigzne, who were part of Juris Podnieks's team. Who was behind the attack, and why has this matter not been solved yet?

A film about the attack on the Ministry of Internal Affairs in 1991 when Latvia was regaining its independence from the Soviet Union. Several people were killed in the attack, including two cameramen, Andris Slapiņš and Gvido Zvaigzne, who were part of Juris Podnieks's team. Who was behind the attack, and why has this matter not been solved yet?

Folded, rewritten, thrown away, wrinkled, crossed out, stuffed in a pocket, handed to the book keeper, only to find out later that it was the wrong one; then written down, torn out, worn out, sometimes crumpled up, with morning coffee stains. The film’s protagonist walks around the pulp mill with jagged movements, performing his duties. “I doubt we’ll meet again. I really do,” he repeats to himself, addressing the void.

Imagine centuries ago several witches huddled around a steaming cauldron, gleefully consigning offensive items to the foul-smelling brew. Maggots, worms, snails – who knows what else? Perhaps unbelievable, but it did help. This is a story about people who practice their own way of feeling fit and happy. A hunter is convinced that beaver glands offer a unique remedy against various ailments. Herbal teas, picked at the right time, can perform miracles! Many shrink away from bees, but bees can bring relief. All good and simple things, forgotten in the rush of the 21st century.

Imagine centuries ago several witches huddled around a steaming cauldron, gleefully consigning offensive items to the foul-smelling brew. Maggots, worms, snails – who knows what else? Perhaps unbelievable, but it did help. This is a story about people who practice their own way of feeling fit and happy. A hunter is convinced that beaver glands offer a unique remedy against various ailments. Herbal teas, picked at the right time, can perform miracles! Many shrink away from bees, but bees can bring relief. All good and simple things, forgotten in the rush of the 21st century.

For 91-year-old Ruta acting is not just a career: it is her lifestyle. Once again, she starts working on a new role. This time the theme of the play provokes questions about her own life: how does one deal with ageing? And, most importantly, - is there a specific time when an actress should leave the stage?

Džemma Skulme (1925-2019) experienced many different times during her long life, and the conversation revealed how time and events have influenced the life of this creative person. The conversation with the artist took place on February 12, 2016, in her studio in Mežaparks. Džemma's memories are permeated by enormous diversity, complexity, a considerable burden of responsibility, time, and many other factors that have undoubtedly left their mark on her life.

Džemma Skulme (1925-2019) experienced many different times during her long life, and the conversation revealed how time and events have influenced the life of this creative person. The conversation with the artist took place on February 12, 2016, in her studio in Mežaparks. Džemma's memories are permeated by enormous diversity, complexity, a considerable burden of responsibility, time, and many other factors that have undoubtedly left their mark on her life.

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game.

Sometimes even those who are used to crawling, get to fly.

At the end of World War II, many Latvians, Lithuanians, and Estonians fled the Soviet rule. They stayed abroad for many years. Now, after the regaining of independence of the three Baltic states, they are coming back. Their stories vary.

At the end of World War II, many Latvians, Lithuanians, and Estonians fled the Soviet rule. They stayed abroad for many years. Now, after the regaining of independence of the three Baltic states, they are coming back. Their stories vary.

At the end of World War II, many Latvians, Lithuanians, and Estonians fled the Soviet rule. They stayed abroad for many years. Now, after the regaining of independence of the three Baltic states, they are coming back. Their stories vary.

An ordinary day turns into an adventure and becomes an extraordinary day.

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

In 1986, Juris Podnieks made his film "Is it easy to be young?". The film became extremely popular and very soon was shown in 85 countries, which was a tremendous success for a Latvian film. It was even regarded as "the first bird of Perestroika". In 1998 the follow up film was made. It was extremely interesting to find out how the new economic system after the fall of the Soviet regime in Latvia had changed the lives of the persons filmed 10 years ago. "Is it easy to be...? After 10 years" also got an international recognition. The question 20 years later was- does anything change in this world or perhaps there are things that never change?! What has become of these brave youngsters who had once helped to destroy the Soviet system and who are now the generation of forty?

In 1986, Juris Podnieks made his film "Is it easy to be young?". The film became extremely popular and very soon was shown in 85 countries, which was a tremendous success for a Latvian film. It was even regarded as "the first bird of Perestroika". In 1998 the follow up film was made. It was extremely interesting to find out how the new economic system after the fall of the Soviet regime in Latvia had changed the lives of the persons filmed 10 years ago. "Is it easy to be...? After 10 years" also got an international recognition. The question 20 years later was- does anything change in this world or perhaps there are things that never change?! What has become of these brave youngsters who had once helped to destroy the Soviet system and who are now the generation of forty?

In 1986, Juris Podnieks made his film "Is it easy to be young?". The film became extremely popular and very soon was shown in 85 countries, which was a tremendous success for a Latvian film. It was even regarded as "the first bird of Perestroika". In 1998 the follow up film was made. It was extremely interesting to find out how the new economic system after the fall of the Soviet regime in Latvia had changed the lives of the persons filmed 10 years ago. "Is it easy to be...? After 10 years" also got an international recognition. The question 20 years later was- does anything change in this world or perhaps there are things that never change?! What has become of these brave youngsters who had once helped to destroy the Soviet system and who are now the generation of forty?

“Under the Upturned Moon” is a documentary that tells an outstandingly gripping story of two journalists investigating the depths of Islamic community in a country as small and seemingly insignificant as Latvia.

A jolly, care-free, slightly absent-minded Witch loses her magic button. What would the world have looked like if the witch hadn’t found it again!?

Vyacheslavs Kashcheyevs is a man who feels the world with each single one of his atoms and breaks the stereotype about physics as a dry and impersonal field of science. In parallel to splitting electrons in the laboratory, he seeks a connection to the Almighty, and is a dreamer, an exceptional scientist, family man and educator, socially active and civically minded. What allows him, unlike most of us, to be so harmonious and seemingly omniscient? Together with quantum physicist, theological authority and Latvian patriot Vyacheslav Kashcheyev, the film searches for the code to modern-day life.

Vija Celmiņš – Latvian-American painter and graphic artist, who has gained international recognition thanks to her special signature – reproductions of endless expanses (the sea, sky, desert). Her works have been included in the most significant modern art collections and displayed in retrospectives the world over. For the filmmakers, visiting Vija Celmiņš in New York was a rare opportunity to come in close proximity to this artist’s creative process and unique personality.

How the Stripped one and the Dotted one were playing in one sandbox and how it all ended.

Even if you’re born to fly, it's not an easy thing to learn. And not everyone succeeds.

The film is a sequel of the legendary documentary “Is It Easy To Be Young?”, which was created in the year 1986 by Juris Podnieks. You once again meet the heroes from the first film. How their lives have changed, have their dreams fulfilled? The film received prize in Leipzig film festival, FIPRESSI prize, nominated for Prix Europa.

The film is a sequel of the legendary documentary “Is It Easy To Be Young?”, which was created in the year 1986 by Juris Podnieks. You once again meet the heroes from the first film. How their lives have changed, have their dreams fulfilled? The film received prize in Leipzig film festival, FIPRESSI prize, nominated for Prix Europa.