Momonosuke Ichikawa

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Period drama directed by Yasushi Sasaki.

Adaptation of the novel by Osaragi Jirō. Again scripted by the legendary Yamanaka Sadao

Master swordsman and loyal vassal Saotome Mondonosuke goes on a mission to find a missing princess.

Bright samurai movie innovatively adapted from a classic story. A traveling masterless samurai is asked by a daughter of an established samurai family to pretend they are a married couple, and gets involved in the troubles of the samurai clan.

A young lord lives against the will of his father Lord Tokugawa.

Adaptation of the novel by Osaragi Jirō.

Final installment of the Okochi / Arai / Yamanaka Mito Komon series and just as good as the others (a good deal longer, as well). Again, this film like the other two is similar in tone and spirit to the Yamanaka Tange Sazen film and would appeal to fans of that film.

1716, Yoshimune becomes the 8th Shogun as high Shogunate officials are attacked. While the government tries to keep these incidents under wraps, they must take any means possible to get to the bottom of this mystery and find out who is behind them.

At a tavern in Shimoda, Ronin Tadakazu Yamakawa saved a samurai girl named Mino from the clutches of the Benten family. When Mino's father, Kyohei Tsuchihashi, is murdered by unknown assailants, Tadakazu is summoned to Akane-ya, the landlord of this area. He promises to ensure the safety of Mino for three days, during which the Benten family must not harm her...

A dashing edition with fights , love, and laughter, in which the sorrows and joys of the guiltless world are colored by the guiltless travel crow, Ayame 's Gantaro, with the turbulent and exciting Wakizashi Hitoshi .

No synopsis available yet.

No synopsis available yet.

A maiden is murdered by a mysterious ninja, unfortunately two young ladies witness this, good thing the bored Lord is walking by, he saved the girls but was too late to save the maiden, quickly he finds himself mixed up in a mystery of murdered maidens, an unknown ninja clan, attempted assassinations towards himself and a cursed vampire bat cave, can the bored Lord solve this puzzle before maidens lose their lives?

Bored Hatamoto film #20

Bored Hatamoto film #21

Shogun Yoshitane’s order to recover the secret scroll triggers a series of ninja warfare during the Muromachi period.

This most celebrated all-star movie version of the popular series features Tsukigata Ryunosuke as Mito Komon, the sage who wanders the countryside rectifying government corruption along with his faithful attendants Suke and Kaku.

The year is 1805. Napoleon ruled Europe. Ienari is the 11th Tokugawa Shogun. An incident, which was an open official secret, took place on the foothills of Mt. Fuji. Fearing attacks from within and without, the Shogunate planned to build a training castle utilizing the most advanced techniques. Two master castle architects, Sato Kikutaro and Kumai Hakuten, were selected to compete for the honor of building this castle. Lord Mizuno Dewa has even ordered the townspeople to assist both sides with their land surveys and preparations. This leads to fear on the part of farmers that their land will be taken away from them, and sets off a series of events which rock the nation to its very roots. With an all-star cast, this is an important story with relevance to current times. One of Ichikawa Utaemon's finest performances, a true classic!

The success story of a group of ronin who fights against traffickers during the Edo Tenpo period.

The sequel to the 1935 film Great Bodhisattva Pass

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.