Julien Behr

From Milan's Teatro alla Scala, the traditional Christmas Concert. The program includes Francis Poulenc's “Les Animaux modèles” suite for orchestra and Charles Gounod's “Messe solennelle de Sainte-Cécile” for soloists, choir, orchestra, and obbligato organ.

La Scala in Milan presents its prestigious Christmas concert with Charles Gounod's “Messe solennelle de Sainte-Cécile” (1855), one of the world's most popular sacred compositions.

In a kingdom where day is night and noon chills the blood, a prince suspects his mysterious wife to be in love with his half-brother. But where does Mélisande come from? And what do we really know about the two heroes' silent love? A single opera was all it took for Debussy to transform the history of music forever. Opéra de Lille presents us with a Mélisande full of vitality and determination, far from the familiar ethereal figure. In the pit, François-Xavier Roth and his internationally renowned ensemble Les Siècles, playing on period instruments, lend new colours to a score which we thought we knew.

No synopsis available yet.

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“To be, or not to be..." You probably know the question, but perhaps not Cyril Teste's answer! A stage director famed for his fascinating fusion of theater and film, he stages the opera Hamlet for the first time in this production starring a brilliant group of soloists led by Stéphane Degout, Sabine Devieilhe, Laurent Alvaro, and Sylvie Brunet-Grupposo.

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Don Giovanni prides itself in being a dramma giocoso. Not an easy expression to translate, given how starkly contradictory the terms would appear to be. But dig below the surface and you are plunged into a delightful swirl of ambiguities. Nothing here is set in stone: the libertinage is passionate, but couples meet and part. Fate plays tricks with masks, right up until the final challenge.

Here is an irreverent take on the tragic story of the lovers Orpheus and Eurydice. With his librettists Hector Crémieux and Ludovic Halévy, Jacques Offenbach creates a wonderful array of characters from the heavens who find themselves caught up in domestic antics. In this enchanting production from the Festival d’Aix-en-Provence from 2009 with a young cast from the European Academy of Music, director Yves Beaunesne transposes the action to the 1940s and spreads it over the four floors of a bourgeois residence. From the kitchen (Orpheus' home) to the attic (the Underworld), via the dining room (Olympus) and the bedroom (Pluto's boudoir), he succeeds in teasing out all the humour and elegance of Offenbach’s satirical masterpiece.

Priestess Julia watches over the eternal flame of the goddess Vesta. While the Great Vestal condemns to death every virgin who breaks her vow of chastity, Julia is delighted to be reunited with Licinius, who has returned from war as a victorious Roman general. One night, as the two lovers swear their love before the temple altar, the eternal flame goes out…