Peter Fitz

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

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No synopsis available yet.

The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?

An American historian (Mr Webster) comes to Berlin to visit an old man who claims to be the real Adolf Hitler and to be 103 years old. The Hitler who died in 1945, the old man says, was just one of his six doubles - one for each weekday - while Hitler himself retired into a bunker below the S-Bahn tracks and married a second time.

Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her from an attempted suicide. Nina is attracted to him, but also wants to know who he is. Her pursuit of his identity crosses the investigation of Lang, a brilliant police investigator who tries to inhabit the minds of the victims and the killer. Viktor's employer also wants to kill Viktor and his contact, an aging arms dealer and family friend. Does Viktor have a future?

This TV movie focuses on an average East German citizen, who accidentally becomes a Cold War victim. Shortly before his wedding day, East German Stephan Busemann goes to West Germany to attend his brother Hubert's fiftieth birthday. At the same time, his son Martin and his daughter-in-law Bettina flee their communist home country in a balloon, what Stephan didn't know. As the East Germans believe he helped them to escape, he isn't allowed to return, so Martin writes a letter to the country's leader Erich Honecker. However, now the West Germans think that Stephan is a spy.

After Victor, 19 years old, is accused of raping a 17-year-old girl, his teachers -under the direction of principal Cornelia Cordes- have to decide whether he should be suspended or not. The discussion of these nine persons shows the contrasts in human character and reveals some bitter feelings...

The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.

Sex, violence, and family secrets in the German countryside.

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In the not-too-distant future Berlin is shocked by a series of spectacular suicides; a policeman's investigations lead him to a beautiful, enigmatic woman and the revelation of a sinister plot to manipulate the population through mass hypnosis.

Shezad is a Pakistani refugee seeking his fortune in Hamburg. At night, he sells roses in pubs. During the day, he is looking for a job. He starts working as a dishwasher and soup cook in a Chinese restaurant. Xiao, the waiter, and Shezad dream of opening their own restaurant. Herder, the janitor of the asylum seekers' home and part-time escape helper, has to go abroad. Shezad takes over his job and finds the money for the restaurant in East Berlin by not entirely legal means. So Shezad and Xiao's dream comes true. However, the day of the opening ends differently than the two of them had imagined.

Laura sees a shooting star falling to earth and finds it in a park, down on the floor and with a broken point. The star is a living being, and Laura takes her home to reattach its point with a band-aid. The little star has special powers and can make people fly, or bring inanimate objects to life. But the more she stays on Earth, the weaker she becomes and her colors fade away and her powers start to fail. Laura must find a way to send the little star back into outer space.

An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in the Soviet Union. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

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No synopsis available yet.

Möhnstedt is a paradise for parking offenders and speeders - village policeman Klaus Burck turns a blind eye to such offenses. Much to the astonishment of his new colleague Eva Mann, who has just graduated from police school and doesn't understand such leniency... When Jutta Krohn reports her daughter Nina missing one day, the village lethargy is suddenly over. A short time later, her body is fished out of the village lake. Nina, a nightclub dancer, attractive but unapproachable, died after having sex with three men. When the trail leads to the powerful bakery owner Jansen and his sons, the police suddenly have half the village against them...

Austrian flmed staged production of Euripedes' The Bacchae, portraying a conflict between the deity Dionysus, son of Zeus, and his cousin Pentheus, ruler of Thebes

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

He wanted to revolutionize theater practice and at the same time social awareness: Today Brecht, who was born in Augsburg in 1898 and died in East Berlin in 1956, is one of the most important playwrights of the 20th century.

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