Shinnosuke Ikehata

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death?

A girl named O loves a rich, and much older man. She is subjected to a variety of humiliating experiences to prove her unconditional obedience to him in a Chinese brothel. A poor boy sees her and falls in love with her. To get the money needed to sleep with her, he takes part in rebellious acts.

A doctor conducts experiments on patients which end up in anguish!

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

The tale of Ogami Itto and his son Daigoro has come full circle with the greatest sword actor of all time, Wakayama Tomisaburo now playing Lone Wolf's mortal enemy, the evil Lord Yagyu Retsudo, who masterminded Ogami's fall from grace. Brilliant sword actor Takahashi Hideki takes over as the former shogunate decapitator, and his stunning swordsmanship is second to none! The story of Lone Wolf and Child has been told many times, but never before like this. With the magnificent sword skills of Takahashi Hideki as Ogami Itto, the Shogun's Decapitator and Wakayama Tomisaburo as the power hungry Lord Yagyu Retsudo the story has come full circle.

The blind masseuse is targeted by the leader of a powerful yakuza group while also fending off a jealous husband bent on revenge. Zatoichi tours Edo's underground via a rousing onsen fight scene, gambling houses and the gender-bending character of Umeji, before a final, flame-filled conflagration.

A scruffy detective investigates the murders of three sisters on a small Japanese island in 1946.

Set during the Edo Period, a young man from a noble family meets a young woman under a special tree called "Raiou" (the tree was struck by lightning at one time with the broken part eventually sprouting out cherry blossoms). The young woman lived freely in the mountains after she was abducted as a young child. The couple soon fall in love under the Raiou tree, but become acutely aware of their different social positions & the ramifications it has on their relationship.

This time, Kousuke investigates a murder in a hospital. The murderer leaves misleading evidence to divert Kousuke's attention on the case. Suspicion and doubt clouds Kousuke's mind.

The manger of cabaret club "Hanibani" named Shū, a worker at the club named Koji, and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into three, but they become consumed by greed and try to get more than their share. In addition, a renowned figure is after their money.

The manger of cabaret club "Hanibani" named Shū, a worker at the club named Koji, and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into three, but they become consumed by greed and try to get more than their share. In addition, a renowned figure is after their money.

Three men sentenced to death are spared and changed into “shadows executioners”, a group of ruthless ninja working for mysterious high ranking officials. During their investigation on some illegal business, one of them, called “Yazuke the Viper”, finds his abandoned daughter, Ocho, who has now become a mistress of Denzo, a smuggler. After Yazuke’s death, Ocho is also recruited as a “shadows executioner”, with the task of completing her father’s mission.

Spring, 1941: 16-year-old Toshihiko attends school in the coastal town of Karatsu, where his aunt cares for his ailing cousin. Immersed in the seaside's nature and culture, Toshihiko soon befriends the town's other extraordinary adolescents as they all contend with the war's gravitational pull.

In the 1970s, the Japanese youth emancipation also found its way into the yakuza (crime) societies. A Girl Boss may have a choice between bikes, and between boyfriends. But she has to defend her choices the hard way, as her triumph and power over the girls' gang is questioned by her female rivals, and the all powerful Yakuza Boss. She inspires loyalty to her girls, and to men to the extent of many of them literally giving their lives for her - in a world of knife and gun fighting, bike and car chasing, and violent death.

This is the Twelfth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

In the mid-1970s, a small group of friends are living in a Japanese town near an American air force base, their lives revolve around sex, drugs and rock 'n roll. The near-plotless story weaves a vividly raw, image-intensive journey through the daily monotony of drug-induced hallucinations, vicious acts of violence, overdoses, suicide, and group sex.

A trio of teenage tarts try to earn money through shoplifting and prostitution scams and get into deep trouble.

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Acclaimed filmmaker Akira Kurosawa has been misunderstood. Despite his public perception an a perfectionist who would clash with anyone in his way, the real Kurosawa was actually a very gentle and soft-spoken director. This documentary depicts the human being Akira Kurosawa on the set of his masterpiece "Ran".

Searching for Kurosawa chronicles Kawamura Mitsuhiko’s journey from the set of Kurosawa’s Ran in 1985 to its final release three decades later. Now, with the rediscovered clips and Mitsuhiko’s own recollections, the film pieces together an intimate portrait of cinema’s “Emperor,” revealing how a young cinephile’s passion helped preserve invaluable fragments of film history. In the course of unearthing lost footage, Kawamura’s life takes an ironic course; he loved movies so much that his life became a movie.

The story of a timid samurai attempting to rid his name of the stigma attached to it.