Antonio Von Hildebrand

Recounting the absurd and paradoxical history of Colombia's thirty-year struggle with international drug trafficking, at once a farce and a tragedy, as seen through the eyes of the extravagant pet of the most powerful drug baron in history: a hippopotamus named Pablo.

The hostility of the Amazon and its natural forces reach extremes during the shooting of a film. The overpowering jungle and harsh weather lead the film crew to plot the assassination of the main actor. As in cinema that scrutinizes itself, we revisit in a vertiginous sequence shot a myth of the history of film when in the toughest part of filming FITZCARRALDO, Werner Herzog phantasized about killing actor Klaus Kinski.

Recounting the absurd and paradoxical history of Colombia's thirty-year struggle with international drug trafficking, at once a farce and a tragedy, as seen through the eyes of the extravagant pet of the most powerful drug baron in history: a hippopotamus named Pablo.

Recounting the absurd and paradoxical history of Colombia's thirty-year struggle with international drug trafficking, at once a farce and a tragedy, as seen through the eyes of the extravagant pet of the most powerful drug baron in history: a hippopotamus named Pablo.

Recounting the absurd and paradoxical history of Colombia's thirty-year struggle with international drug trafficking, at once a farce and a tragedy, as seen through the eyes of the extravagant pet of the most powerful drug baron in history: a hippopotamus named Pablo.

Composed by six films about the Amazon rain forest and its inhabitants, the high stakes, and the challenges they face. Each film presents a different perspective on a specific aspect of Amazonian culture.

Composed by six films about the Amazon rain forest and its inhabitants, the high stakes, and the challenges they face. Each film presents a different perspective on a specific aspect of Amazonian culture.