
Acting
Simone Ordones
Known for
Acting
Credits
6 titles
Simone Ordones has been working as an actress in Brazil since 1983, and has been a member of the Grupo Galpão (Belo Horizonte) since 1994.
Known for
NRNo synopsis available yet.
GRUPO GALPÂO: Os Gigantes da Montanha na Praça do Papa
2013
5.7Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.
Moscow
2009
NRGrupo Galpão's adaptation of the play "The Imaginary Invalid" by Molière
Grupo Galpão: Um Molière imaginário
2008
No synopsis available yet.
Eclipse
2017
6.0Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.
Partida de Vôlei à Sombra do Vulcão
2021
NRNo synopsis available yet.
A Primeira Perda da Minha Vida
2021
Film credits
2020s · 2 titles
6.0Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.
Partida de Vôlei à Sombra do Vulcão
2021
NRNo synopsis available yet.
A Primeira Perda da Minha Vida
2021
2010s · 2 titles
2000s · 2 titles
5.7Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.
Moscow
2009
NRGrupo Galpão's adaptation of the play "The Imaginary Invalid" by Molière
Grupo Galpão: Um Molière imaginário
2008
