Directing
Begoña Vicario
Acting credits
NRThe definitive documentary that reviews the enormous career of Esther Ferrer, one of the great Spanish creators in the performance genre. A "hybrid" between the documentary and the discipline of performance itself, between recording and creation, which uses elements and techniques typical of the cinematographic genre on which animation and self-created elements are superimposed.
Esther Ferrer: Threads of Time
2020
NRAt last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.
A Deep Breath, Women Filmmakers
2023
Behind the camera
Abstract images in which the rhythm of movement is fundamental and express relationships of attraction and rejection.
Zureganako grina
1996
Abstract images in which the rhythm of movement is fundamental and express relationships of attraction and rejection.
Zureganako grina
1996
This reinterpretation of the famous scene where Tarzan and Jane swim together in the film 'Tarzan and His Mate' (Cedric Gibbons, 1934) fashions a new paradigm out of movement, rhythm and colour.
Jane, Tarzan ez zen horren guay
2016
This reinterpretation of the famous scene where Tarzan and Jane swim together in the film 'Tarzan and His Mate' (Cedric Gibbons, 1934) fashions a new paradigm out of movement, rhythm and colour.
Jane, Tarzan ez zen horren guay
2016
On a restless monochromatic palette, a woman experiences the psychological damage of a visit from the police.
And since then…
1999
7.5A Goya award-winning short animated feature about people forced to sell their bodily organs to survive.
Ask for Me
1996
7.5A Goya award-winning short animated feature about people forced to sell their bodily organs to survive.
Ask for Me
1996
9.0When talking about missing people we are talking about a virtual death, with no body. But we need to see the corpse of those people to whom we want to bid farewell so as to be able to do it.
Haragia
1999
