Gilles Vigneault

A tribute to the Quebec population who are fighting against the COVID-19 epidemic. Several artists are participating in this outpouring of solidarity to recognize the essential work of our guardian angels and to encourage people to give back.

In October 1970, members of the Front de Libération du Québec (FLQ) kidnapped and murdered Minister Pierre Laporte, part of an unprecedented crisis in Quebec. Fifty years later, Félix Rose tries to understand what could have led his father and uncle to commit such crimes. Thanks to his uncle Jacques, who agrees for the first time to speak on the subject, and to the traces left by his father Paul, he revives the heritage of a Quebec working class family. The fruit of ten years of research, Les Rose allows us to revisit a time and people that we knew through clichés, and gives a glimpse of the experiences of a rebellious youth and the crimes that followed.

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Focused on an inspiring and touching dialogue between Gilles Vigneault and Fred Pellerin, the documentary tells the story of Quebec by digging deep into an ancestral tradition etched into our cultural DNA: the production of maple syrup.

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Seeing his faithful friend quietly losing the battle against the disease, Jean-Pierre does not let things go. Because he's manual, he tries in its own way to give his friend a little more strength and courage. Knowing that his friend is a true believer of the Catholic religion, he decided to invent an appearance of the Virgin Mary.

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Here in Toronto, four young Somali refugees are finishing high school. What did they bring with them? What did they find in Canada? Their testimonies, about us and about themselves, interspersed with newsreel footage and sequences of a theatrical creation in which they put all their soul, make them immediately endearing and overturn many prejudices held against refugees. A film that makes you want to get to know them better.

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

Tinamer is 27 years old when her mother dies. The funeral of this last one makes her relive certain events of her childhood which marked her forever.

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With no commentary other than the music and words of the performers themselves, this fast-moving film presents the grandest Canadian concert of them all. Here, the performers include both the great and the unknown from across the country, the musical styles span the centuries, and the artists are involved in all stages of musicianship: learning, teaching, conducting, recording, performing. Among the film's many stars are Edith Butler, Beau Dommage, Maureen Forrester, Glenn Gould, Paul Horn, the Huggett Family, and Gilles Vigneault.

A woman's peculiar religious convictions lead her on a self-destructive path.

The film follows two young men from the Côte-Nord in Quebec who fall on hard times due to an economic crisis raging in the region. Between staging and song, the movie deals with the importance of work in the construction of identity.

An atmospheric mood piece photographed in the winter at the giant dam built by Hydro Quebec in the northern wilds of the province. The story concerns a worker's wife, who is bored with her dreary existence in the wilderness. She walks around in the snow recalling how she met her husband, then goes to the landing field to catch a departing plane. But she remains when her husband tells her how much his work means to him. This moving and very humanistic tale represents the NFB at its best.