Deniz Cooper

SOKO Kitzbühel is an Austrian television series produced by ORF and ZDF. It is a spin-off of the German crime series SOKO 5113. It is set in the renowned Tyrolean tourist centre of Kitzbühel. The production company "beo-Film" has produced the show since 2001. The German abbreviation SOKO stands for Sonderkommission, "special commission", a task force with specific duties.

SOKO Donau is an Austrian television series.

Istanbul police commissioner Mehmet Özakin is in charge of serious crime, mainly murder investigations, mostly in the Turkish metropolis. A very modern Turk, he uses up to date Western methods, without prejudice, assisted by bachelor Mustafa Tombul. Even his private life is progressive, his wife Sevim being on the former imperial capital's university staff.

A politically sensitive murder forces two disparate detectives into a battle with the Berlin underworld and a confrontation with their own corruption.

No synopsis available yet.

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

SOKO Kitzbühel is an Austrian television series produced by ORF and ZDF. It is a spin-off of the German crime series SOKO 5113. It is set in the renowned Tyrolean tourist centre of Kitzbühel. The production company "beo-Film" has produced the show since 2001. The German abbreviation SOKO stands for Sonderkommission, "special commission", a task force with specific duties.

SOKO Donau is an Austrian television series.

Istanbul police commissioner Mehmet Özakin is in charge of serious crime, mainly murder investigations, mostly in the Turkish metropolis. A very modern Turk, he uses up to date Western methods, without prejudice, assisted by bachelor Mustafa Tombul. Even his private life is progressive, his wife Sevim being on the former imperial capital's university staff.

A politically sensitive murder forces two disparate detectives into a battle with the Berlin underworld and a confrontation with their own corruption.

No synopsis available yet.

Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.

Olga Kosanović reveals the unfair absurdity of Austria’s right to residence. The single father Vladimir wants to work to be able to stay in the country with his daughter. But if he doesn’t have a residency permit, he’s not allowed to work. From this paradox, the film filters a humanistic indictment of cynical domestic policies in the land of insurmountable peaks.

A young woman stands on the Rialto Bridge in Venice; in a cool box is her dead goldfish. Initially she had planned to let it be carried out to sea. But then an emotion that is even stronger causes her misgivings, and so she packs the fish up again. In the surreal setting of an empty city, she sets out in search of lost meaning.

A young woman stands on the Rialto Bridge in Venice; in a cool box is her dead goldfish. Initially she had planned to let it be carried out to sea. But then an emotion that is even stronger causes her misgivings, and so she packs the fish up again. In the surreal setting of an empty city, she sets out in search of lost meaning.