Acting
Mejla Hlavsa
Born — Died
1951-03-06 — 2001-01-05
Place of birth
Prague, Czechoslovakia
Known for
Acting
Credits
7 titles
Milan "Mejla" Hlavsa was the founder, chief songwriter, and original bassist of the Czech band Plastic People of the Universe, which was part of the inspiration for the anti-establishment movement Charter 77.
Known for
6.0No synopsis available yet.
Krásný ztráty
2000
10.0Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.
The Plastic People of the Universe
2001
No synopsis available yet.
Atentát na kulturu
1977
Czech semi-documentary.
The Stock-Check
1981
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
Bohemia Docta or the Labyrinth of the World and the Lust-House of the Heart (A Divine Comedy)
2000
6.7Young photographer Ondřej's hobby revolves around flying ultralight aircraft. During one such flight, he spots two men at a lonely villa, one of whom is shooting at the other. He manages to photograph the scene, but is spotted in the process. Before he can develop the film, it is accidentally destroyed. Shortly thereafter, he meets a sad model named Viktorie and a wealthy businessman named Walter Rychman at a rock club, who offers him a job. Upon his return, he discovers that someone has searched his studio and soon realizes that Walter was the one who fired the shots. Although the businessman claims it was paintball, he asks Ondřej for the negative, and when the photographer tells him he doesn't have it, he threatens him. Ondřej decides to get to the bottom of the mystery and embarks on an investigation on his own. However, he becomes increasingly entangled in a confusing game that is difficult to navigate.
Válka barev
1995
Film credits
2000s · 2 titles
10.0Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.
The Plastic People of the Universe
2001
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
Bohemia Docta or the Labyrinth of the World and the Lust-House of the Heart (A Divine Comedy)
2000
1990s · 2 titles
6.7Young photographer Ondřej's hobby revolves around flying ultralight aircraft. During one such flight, he spots two men at a lonely villa, one of whom is shooting at the other. He manages to photograph the scene, but is spotted in the process. Before he can develop the film, it is accidentally destroyed. Shortly thereafter, he meets a sad model named Viktorie and a wealthy businessman named Walter Rychman at a rock club, who offers him a job. Upon his return, he discovers that someone has searched his studio and soon realizes that Walter was the one who fired the shots. Although the businessman claims it was paintball, he asks Ondřej for the negative, and when the photographer tells him he doesn't have it, he threatens him. Ondřej decides to get to the bottom of the mystery and embarks on an investigation on his own. However, he becomes increasingly entangled in a confusing game that is difficult to navigate.
Válka barev
1995
A film about various forms of drugs – American cinema, rock music, and heroin. Together with the protagonist, we experience the bohemian life of young filmmakers, shocking erotic experiences, and the first drastic attempts with drugs. From the initial cool experiment with drugs, we then go through hell and purgatory. A good friend can help with the return, but so can the will to start over, to forgive those who (perhaps) wronged him, to realize that I am mainly to blame for everything...
Kanárek
1999