Manuel Inacker

The door slams shut behind him, the goal is clear: he urgently needs to pee. If only it weren’t for the others and the way they look at him. The noise, the pressure, the self-consciousness. A journey from the urinal to the cubicle.

An actress and her filmmaker boyfriend travel to North Macedonia to reconnect with a co-star from her doomed first film. This reunion gives way to something far more unsettling, and forces them to reckon with dark realities of the past.

2000 organisms in 514 living cells form a coral reef made of concrete and steel. Portrait of an invisible city.

Rudo is a 25-year-old stripper who has chosen to embrace a life of perpetual partying and sleep deprivation. As he navigates through the chaotic nightlife fueled by drugs and dance, memories of his ex-girlfriend Misha haunt him, reminding him of broken promises and lost connections.

"Casa del Migrante" in Huehuetoca, a suburb at the gates of Mexico City, is a safe haven for migrants. At least for two days. Then they must go on with their journey towards north in freight train carriages, which everyone here just calls "La Bestia," the beast.

The door slams shut behind him, the goal is clear: he urgently needs to pee. If only it weren’t for the others and the way they look at him. The noise, the pressure, the self-consciousness. A journey from the urinal to the cubicle.

An actress and her filmmaker boyfriend travel to North Macedonia to reconnect with a co-star from her doomed first film. This reunion gives way to something far more unsettling, and forces them to reckon with dark realities of the past.

2000 organisms in 514 living cells form a coral reef made of concrete and steel. Portrait of an invisible city.

"Casa del Migrante" in Huehuetoca, a suburb at the gates of Mexico City, is a safe haven for migrants. At least for two days. Then they must go on with their journey towards north in freight train carriages, which everyone here just calls "La Bestia," the beast.